#like the writer really did think she was being clever.....

[agentoffangirling]

I don't think I'll ever be able to wrap my brain around how clever the Ward plot twist is

Bc what the writers do, in regards to a "wolf in the herd", is draw all suspicion off him by having him screw up the past episode. By killing the fake Clairvoyant, "for Skye", the other characters treat him accordingly: he's locked up. He's in a cell when the others learn about HYDRA, and given what he just did, no one (characters & audience) is questioning whether he's really S.H.I.E.L.D.

And so we point fingers at everyone else. Coulson is an obvious no, and unless Skye feels like switching again, she's a no. May feels far too obvious, and Fitz seems as far removed from HYDRA as possible

In fact, the one we all start to suspect is Trip. He only showed up a few episodes ago, and he suddenly gets along with everyone. Not only did he train under Garrett, but he's the one who's with Simmons at the Hub. And everyone is being secretive, everyone's anxious, and Trip certainly doesn't plan on being taken out. Since it's told largely from Simmons' pov during her parts, we're the ones seeing her fear, her cautiousness. Her whole "I can't trust anyone" thing. Trip seems suspicious

And he seems suspicious enough that we don't see the true wolf, the one who's been with the team the whole time

[bugs1nmybrain]

sleeping beauty - L Lawliet x Fem!Reader Voyeur + Somnophilia Smut 🩵💤

Writer's Notes: Well. Yea

Word Count: 2839

18+ Minors Do Not Interact!

Warnings: Cringe title cuz I couldn't think of anything more clever, smut, female reader (she/her pronouns), voyeurism, masturbation (L), somnophilia, dub-con, dom L, ooc L?, L uses "my love" and "darling" and "lovely" (new one!) as pet names, unreciprocated kissing, PRAISE, established relationship, unprotected sex, not proofread yet

Dub-con explanation to avoid triggering: L watches reader sleep on surveillance cameras and jacks off to her, L touches and penetrates the reader in her sleep/while she is sleepy. She's not scared or feels violated, she knows it's L and wants him, but the lack of alertness and being drowsy makes the consent dubious.

L was bored.

There really wasn't much happening in his current case, at least not at the present moment. There were many things to do but with it being sleeping hours for the countries he was in contact with, getting any of his plans into fruition was going to have to wait until the morning. After all, it was 2 a.m. The only thing L could do was research. He had been keeping his alerts on all night, impending a new lead, but nothing turned up yet. He had been waiting for several hours. Still nothing.

So he sat at his monitors with a blueberry yogurt. He played with his food, swishing the spoon in and out of the yogurt for many seconds before finally taking a bite. He was getting tired of this boredom; it was killing him.

With nothing better to do, he figured it would be a good idea to check on you. He flicked around his computer screen and opened the tab to the camera in your room. You were often invited to L's room when you wanted, even if he didn't join you for bed. You chose your room tonight though.

When L saw your sleeping form, a strange calmness washed over him. What was it that caused this reaction he pondered? Was it as simple as that he loved you? Or maybe it was knowing that you were safe and secure under his supervision. You were lying there with only a snug tank top and panties, a poor excuse for pajamas L thought. It was easy to see how the shirt hugged your breasts and tummy even from the distance the camera was from you. And your panties were cute, frilly white and pink. The ones he bought for you.

He watched as you snuggled your pillow tight. You seemed lonely. Did you miss him? The thought of you craving his embrace and presence caused a peak of possessiveness in L. Or was it arousal? It was likely both, but L was more so distracted by the way you nuzzled your face in the pillow and grinded your groin on it, with your thighs wrapping around it. Oh, how cute you were.

You looked gorgeous. You always did, but you looked especially alluring tonight. So peaceful. He was grateful that he had more than one camera installed because he could see your drifting form from many angles like this.

L sat there and ate his yogurt while he watched you shamelessly. Your continued grinding and snuggling into the pillow was endearing, but then you let out that noise. Yes, he had wiretaps in there as well. You knew about the cameras and bugs; it was an agreed-upon condition.

L turned the volume down quicker than the speed of lightning to avoid anyone in the other rooms hearing his speakers, and just as quickly grabbed his headphones so that he could hear you much more clearly. Now he had full access to your voice. He was disappointed, though, because you weren't making any more sounds.

You turned to lay on your back, which was odd. L knew you didn't typically sleep that way, but he chalked it up to random occurrence. Though, the way your tits were shaping out into your tank top made him almost want to believe that you were doing this on purpose. Your shirt was raised over your stomach from ruffling around, showing the lower area of your stomach.

Uh-oh

L's attention averted only a little when he realized that his pants were becoming a bit tighter in the crotch. He looked down for a second to see his bulge in his pants. Instinctively, his thumb met his lip, but his gaze went back on you. You were now turned on your side, your round ass facing the camera. Fuck.

Without much thinking about it, L began to unbutton his pants. His cock wasn't fully erect yet, but it was starting to pulse, and was begging for some external stimulation. He pulled his slender, pale dick out from his underwear and stroked the entire length as he watched you in your slumber.

Yes! The noises came back. You whined and mewled in your sleep, hips squirming. L had a good hunch you were having a rather impure dream, which worked well for him. Your sounds were so beautiful. You were being so good for him.

His cock quickly grew to its full length as he stroked it in a timely rhythm. He played with himself as he watched you return to cuddling the pillow, and paid attention to your ass and crotch riving against it. Fuck.

It wasn't enough. You looked beautiful and he loved it. He loved you and seeing you like this. However, simply watching you toss and turn wasn't going to satisfy him. He needed to see you in person, to touch you, to fuck you.

L tucked his cock back in his jeans, though it still created a bulge from his erection. Why did you have to be many flights up the stairs? So inconvenient for him right now. He stood up, hunched as always, and made his way to the elevator. He waited impatiently as the elevator transported him up to your floor, yet when it reached it, he took his time walking toward your door.

L slowly turned the doorknob, making as little noise as humanly possible. When he shut the door, he turned his face to look at you. The sight of you made his heart leap in spike and his cock ache in agony. He stepped very slowly toward your bed, raising his head to see the entirety of your body. The curve between your waist and your hips was lovely and your skin looked glowing under the light of the moon from the window. He wanted to touch you instantly, but he held out for a moment.

He decided to just watch for a moment, but you weren't as antsy as you were before. Perhaps your dirty dream had been over by now. Just seeing you sleep, though, was enough to provide L with all the love hormones he needed. The rise and fall of your peaceful breath was soothing, and you even produced little sleepy sounds that didn't exactly snore, but they were cute regardless.

It was time to take action, he reasoned. L quietly made his way to prop himself beside you on the bed, and began running his delicate hands along your waist.

"Hmm.."

Your response made his cock twitch violently. Just from brief contact, you reacted beautifully to him. He raised his hand to stroke your messy hair out of your face. Your sleeping face was so adorable.

Impulse struck L and he acted on instinct. His face descended down to yours. He planted a very gentle kiss on your lips, relishing in their soft texture. Of course, you didn't kiss him back. Your lips curved into a lovely smile, but your eyes didn't open. Interesting, L thought. You have been exerting yourself in your responsibilities lately, so you were absolutely dozed off.

L made a bold move and gently moved your form from its side position to lie on your back. Your body instinctively tried to snuggle back into the fetal position, but L took your hands in his, circling your palm with his thumb. As he lied your hands down at your side, he trailed his hands up your thighs, relishing in their softness.

He knew that maybe this wasn't morally correct. You were asleep. But you responded so invitingly to his touch. You were so pretty like this. L lightly grazed his fingers along your panties and felt a dampness. He knew it! You must've been having a wet dream and were aroused yourself, though unconscious.

L stopped for a moment, calculating his next step. He didn't want to exactly fuck you while you had no knowledge of it. ..Or? Well, in more specific terms, he didn't want to hurt you, quite the contrary. Maybe it would make your dreams more pleasant. Would it make you sleep better? He didn't want to scare you though, and somnophilia wasn't something you two had really talked about before.

Conceding from his moral inhibitions, L trailed his fingers up your arms, hooking them around your spaghetti straps. He paused for a moment to observe your breathing, still heavy from sleeping. He begins to drag the straps down your arms, taking your top along with them. When the skin-tight fabric was removed from your breasts, L insisted that he could feel his heart pumping through his cock. You were always so pretty, so gorgeous, and all for him.

Your tits were so pretty and your nipples seemed flushed. Was it from your arousal?, L pondered. He slowly latched his lips on one of your nipples, tending to it gently before releasing and going to the other. Your body reacts to the stimulation and your hips drive forward while you give out a pleasured moan. L moves his head back quickly, startled by your reaction.

However, instead of being scared out of his next move, L recognizes that perhaps he could make you feel just as safe and cared about even while you were asleep like this. You shouldn't have to fear him, right? L takes the risk and begins trailing kisses along your chest and up your neck. He actually hoped it would wake you up, even for just a moment, so he could get some clearance from you. As if he hadn't already been kissing you unconsciously, undressing you, and sucking your tits.

With a heavy breath and a groan, you begin stretching your arms upwards. Your eyes open only slightly, and you're hit with confusion at first. Your vision was very blurry, and you could only make out blobs of color and shape. After halfway registering the texture of the lips that were kissing you and how their hair felt against your skin, your tension eased. You could tell it was only your lover by the way he was touching and kissing you; gentle, meticulous, and romantic.

"Mmmrr.." is all you could manage to say. You were very tired and groggy and could feel yourself already falling back to sleep. "..L?"

"What is it, my love?"

"I'm wet."

"I already know that. Do you need me to help you?"

"I'm.." you begin drifting but fight it. "I'm very..tired...but I..."

"Shhh...I know, lovely. I'll take care of you, alright? You just relax and look pretty for me, hm?"

You giggle sleepily and relax your head back as L continued to kiss your neck, "Mm..ye..yes..please.."

"Mm..of course, darling..."

L kissed your cheek tenderly, and then to your lips. You did what you could to kiss back, though it was very sloppy because of your drowsiness. You felt your pussy grow wetter as L stroked the side of your face while he kissed you, but soon his hand moved away from your face and down to a more intimate area.

Slowly, he removed your panties from your body. His brows (that weren't there) furrowed in arousal when he witnessed the slick fluid that strung out from the panties as he took them off your pussy. So wet already, and if that wasn't enough for him to tell, the clear, slick substance that glowed on your panties definitely was. "Silly girl, you're not supposed to sleep with underwear on", he thought.

L's fingers met your pussy, stroking up from your labia up to your achingly sensitive clitoris. Your juices were already coating his fingers. L firmly began to rub two pads of his fingers on your clitoris, wasting no time to circle around in perfect motion. Your body was already completely submitting to his touch. Your hips bucked against his hand, and thank god L knew how to adapt to your sudden movements because he kept fingering your clitoris as you squirmed for him. It felt so incredible with your body feeling intoxicated by all those feel-good emotions he was producing from you. As great as his fingers felt physically, the knowledge of his care and love for you without expecting anything in return made you infinitely more aroused.

Your clit was starting to feel the rolling sensation you were familiar with. "Already?" L snickered in his head. He couldn't feel what you were, but he noticed how your pussy was contracting and moving on his fingers. He knew these movements of the onset of your submission to pleasure.

"There we go..."

"Mmm!" The feeling was almost unbearable. Somehow being halfway asleep made this pleasure better. Perhaps it was the lack of autonomy over yourself in this moment? L kept rolling his fingers along your clit and you felt your orgasm on the verge of exploding.

"A-a-ah!"

"That's it. Don't hold back.." L cooed at you for comfort, though you weren't registering anything he said; they only sounded muffled.

Your clitoris erupts in pleasure and you begin thrusting your hips as your orgasm overtook you. L made sure to stimulate your clitoris for every moment of your orgasm, and you made the prettiest noises for him while he did so.

"Awhhhh~ hmm.."

"You're doing so well for me, lovely. Could I maybe feel how wet and warm you are for me? Would that be ok?"

"So wordy", you thought in your drowsy mind. You hummed in approval for him, much to his delight. L had been wanting to feel you for so long, but he had to make sure you were taken care of, too. Besides, you feel the best when you're properly ready for him.

L took off his pants and underwear, both attached as he did so. His cock was painfully hard and he winced when his fingers grazed it. He himself wasn't immune to overwhelming sensitivity. He adjusted into a position where he could see you as you moved to his thrusts, though it was still very much a branch of missionary.

He pulled your thighs closer and lifted your legs to wrap around him. He placed the tip of his cock before your vagina without inserting it and already felt the heat of your pussy at the touch. Finally, he pushed his cock inside of you, already sighing from only halfway in. L slowly began penetrating you in and out, rolling his hips to meet your G-spot inside.

((fun fact: the g-spot isn't an individual gland or part of the anatomy, it's actually an extension of the clitoris! I'm using the term "g-spot" for easier comprehension because I'm not teaching a sex education class; this is smut))

His long cock rubbed your sensitive sleeve so perfectly, and you somehow produce even sexier sounds than you did when he was focusing on you alone.

"Aawhh~"

"Mmm...you feel so incredible.."

His thrusts were deep and gentle. Not slow, per se, but calculated. It was as if he was trying to savor your pussy, which was true. His penis made slick sounds when it would enter and exited your wet, slobbery cunt. His dick and hands were the only sensations you could process right now, and they felt so good.

"Ah..L.."

"You're doing so good, baby."

L couldn't help his male instincts as his cock grew hungrier by the visual sensations in front of him. The way your lips parted slightly and how your tits would move to his thrusts made him leak. His thrusts become more eager and less restrained, desperate.

"Ah...you're such a pretty girl..so perfect..."

You whined adorably, making him begin to feel his own orgasm approaching. He holds your waist firmly to be able to control his thrusts better, pumping you full as you squealed for him.

"F-*sigh*-fuck. Y/N...I'm so close.."

His hips bucked against you as his eyes rolled back in pleasure. His cock throbbed inside of you for a few split seconds as he finally came inside of you, his own body losing its rigidity as he slumped forward. He rested his forehead on yours, panting with you in unison. You looked like you were on the verge of passing out. He almost felt bad, but he could tell by your pleasant face and relaxation that you enjoyed him making love to you, even if you weren't properly engaged for it.

He pulled out of you, needing to shake the extra seminal residue off of himself before he rested next to you. Messes like this typically bother L's need for cleanliness, but you were exhausted and he was sort of as well. So instead he wrapped his arms around you from behind and pulled you in to snuggle him. He hadn't slept for many days, he thought that maybe he could afford some slumber with you. He slept the soundest when you were with him, after all.

But as he started drifting off, he contemplated how the situation before would have been if the roles were reversed...

Requested tag: @graceful-disaster

[thoughtspresso]

Oshi No Ko was about Arima Kana all along.

And I think there’s a real possibility she may die at the end.

Or be placed in the way of grave danger.

I was reading some AquKane shippers say something about how they don’t understand AquaKana, and why the writers and directors keep clearly pushing Kana towards Aqua when they barely share any chemistry. Whereas, in their belief, his relationship with Akane is more honest, deeper, whatever. I’m not here to argue about that. But I get where they’re coming from. And the simple explanation is this:

It’s because this whole story was written for Arima Kana.

I’ve seen some Youtubers talk about how this whole story was meant to be fulfillment for Ruby/Sarina’s dream to become the next great Idol, something about Amaterasu favoring her.

And that’s near what I thought of it. But I really think if the God of Entertainment wanted to bless a child with cancer a second life as the world’s great idol, they’d also give her a great singing voice, y’know?

Spoilers for the manga, of course as we go along on this explanation. So anime onlies, get caught up before you start reading me ramble.

Here we go:

1. Arima Kana is the embodiment of Amaterasu, not Ruby.

Or at least, Amaterasu’s appointed representative, or her favorite daughter.

To give you a run-down of some of the core Shinto/Japanese Mythology that is important for the story, the Creator God Izanaki had three children:

Amaterasu, Goddess of the Sun.

Tsukuyomi, the Moon.

Susanoo, the Storm.

The story goes that Amaterasu and Susanoo had a competition about who could create better gods. So Amaterasu took Susanoo’s Totsuka-no-Tsurugi* (longsword) and split it into three, from which she birthed the three Munakata goddesses.

And woncha knowit, there are three great actresses born in that year?

*A reminder that Kana plays the character Tsurugi, which literally just means Sword. And Akane’s character Saya-hime just literally means Sheath or Scabbard Princess.

In this bet, Amaterasu got clever with the rules and won on a technicality. Susanoo went on a rampage, destroyed Amaterasu’s ricefield, and flayed Amaterasu’s favorite divine horse*, and then threw its body at her loom.

*The name Arima is spelled with the Kanji of Horse & Exist/Live. 

Amaterasu, in her grief, flees into a cave, believed to be Amano Iwato cave, right in the town of Takachiho, Amamiya Gorou’s hometown, and the death place of  Tendouji Sarina.

The being that draws Amaterasu out of there was the Goddess of the Dawn, known also as the Goddess of the Revelry & Arts, a being that Aqua says he knows well, and believes there’s a grain of truth to:

And how does Ame-no-Uzume draw Amaterasu out of her grief?

By throwing an absolute rager, and dancing really wildly that it catches her attention and makes all the gods around them laugh so hard. Just like:

Ame-no-Uzume will later on marry a diety who tried to block her passage before, Sarutohiko, who in Ise is worshipped as the god who illuminates the world.

That’s some divinity-level AquaKana shipping right there.

Just like how Aka Akasaka wrote the story of Kaguya-sama: Love Is War about two lovers who couldn’t be together just like in the myth of Kaguya, but having his characters overcome all odds to defy divine fate, I do believe that apart from the parallels to the mythology like he did in Kaguya-sama, there is very literal divine intervention this time in Oshi No Ko.

I think what’s happening is that the gods, particularly Amaterasu and Susanoo are quarelling again about who could create better gods, just like before, but now more of whose favored child will shine the brightest and be worshipped by the most humans. But just like last time, Susanoo may have been enraged, especially at the sexual assault of his chosen Hikaru Kamiki, that he possessed him with a corrupting force that urges him to destroy shining stars before they reach their peak, hence the murders of Himekawa Airi, Hoshino Ai**, and Katayose Yura.

Which by the way, the name Hikaru means Radiant Light!

And Hoshino means Field of Stars!

Whether it’s because Amaterasu is angry that every daughter she sends to earth is slaughtered by Susanoo’s chosen, or just because she wants to win their competition, she appoints Ame-no-Uzume to assist in safeguarding her new favored one from Kamiki’s clutches. Her new favored one being Arima Kana.

And therefore, Ame-no-Uzume takes the souls of two motherless humans who had passed before they could shine and sent them to become Hoshino Ai’s twin children. It was all anyway happening in her territory of Takachiho at the most opportune time.

Ame-no-Uzume is also known as The Goddess of Dance, as well as The Great Pursuader. And wouldn’t you know, that’s exactly the gifts that the Hoshino Twins received.

An energetic performer who takes the stage with dance:

And a deceptive, persuasive, extremely believable actor, who:

fooled his own sister into believing she had been rejected from an audition

pretended to scout an idol from a competing agency to research them

get Director Gotanda to raise him and train him

make Akane not just date him, but follow him down a destructive path

convince Kana and Mem to join IchigoPro

impersonate Pieyon for several days straight

Anyway, I truly, truly believe that unbeknownst to Aqua, his true mission is just to keep drawing Kana out of her darkness until she shines the brightest. Which is what he keeps doing anyway:

2. The Timing of the whole Oshi No Ko plot is aligned with Arima Kana’s rise to unprecedented stardom.

The story of Ai Hoshino’s pregnancy and meeting of Gorou Amamiya in a quaint hospital occurs at the beginning of Arima Kana’s life, just after she is born.

She meets Aqua Hoshino around age 4, already talented, and already extremely arrogant which could have easily been the demise of her career. But meeting Aqua and seeing his acting was a necessary wake-up call for her, that it brings her to tears. She never forgets this experience that she brought that lesson with her to her adulthood: that she can’t be satisfied and keep working harder, and to be a better communicator with her colleagues. At their first point of contact, Aqua already becomes the reason why Arima Kana’s acting career survives the slump.

They meet again in high school, when Arima Kana has one acting job in a lackluster production of Sweet Today. The ratings had plummeted, if not for the fact that Aqua came onto the set to draw out the best acting Arima Kana could deliver. After this, Arima receives much more respect and recognition from her colleagues in the industry beyond just being cast to bring some legitimacy to their production.

It’s because of Aqua and Ruby that Kana joins IchigoPro’s Idol Division, and her career is reborn anew. Such that, even after quitting B-Komachi, Arima states she never regretted the decision to join, because otherwise the career of Arima Kana would have been already over. 

It’s because of Aqua’s presence that Arima trains to become better and better as an idol. Aqua kept drawing out the light from Kana’s eyes, to the point that it catches the attention of the crowd who previously had no interest in her.

It’s because of her experience as an idol that she regains the confidence and sense of greed necessary to grab the attention of the audience when on stage, such that even Akane recognizes this change in her when Arima takes the stage as Tsurugi for the 2.5 Adadptation of Tokyo Blade.

And it’s because of all of these that she captures the attention of award-winning Director Masanori Shima, who lines up some roles for her when her acting schedule had dried up. It’s once again because of Kana’s dedication towards Aqua that Shima D finds her so interesting that he was most willing to promise her the best role possible.

It was as if Ame-no-Uzume-no-Mikoto appointed Aqua and Ruby to come draw Arima Kana out of her Cave, and bring the Sun out again, just like how the deity drew out Amaterasu.

If you think about the title of the show, Oshi No Ko, it literally means The Favorite Child. God’s favored child. Arima Kana had been born chosen by Amaterasu from the very beginning. And Ame-no-Uzume is sending Aqua and Ruby to aid on this quest.

Which explains why it seems like there had been a mission communicated to Aqua from the very beginning. And why Ai was never going to be reincarnated at all.

You would think that if The Crow Girl, which we assume is the divine guide Yatagarasu, was communicating with Aqua about his revenge plan or helping him find Kamiki, that Aqua would hold a more favorable relationship with The Crow whenever it appears to give advice, no?

But it’s exactly the opposite. Because The Crow is guiding him into something that is different from his personal goal that Aqua doesn’t understand.

And this is where I think Arima Kana could be put in danger.

3. Arima Kana is Hikaru Kamiki’s next target.

There were earlier theories that thought Kurokawa Akane was the one to die next, because of what people have now learned of Kamiki’s serial murderer profile targeting big celebrities before their peak, and because Akane had received a bouquet of white roses from him when she won an award.

The chapter when it was expected to happen was a fake-out from Aka Akasaka, and some people think it’s still possible that she’s the target. In fact, I keep seeing recent theory videos who discount Kana and say she’s “the safest”. Hah! If only!

The scenes with Shima D weren’t just a mere plot point to bring scandal to Arima’s name, and threaten her career and life enough that it pushes Aqua to reveal his mother’s secret in exchange. But it’s there because this is the upward path for Arima Kana. So far, the only people who have witnessed her dazzling star power have been fans of the Sweet Today manga, idol otakus, and people who attended Tokyo Blade. That’s not really masterpiece-of-the-century, performing-at-the-dome level. None of these gigs have placed her center stage in what could be Film of the Year, and a Best Actress spot. Now, the chance is here, and it’s real:

I think, The 15-Year-Lie will attempt to draw out Hikaru Kamiki, or that Aqua intends to reveal himself in the movie looking like him, and reveal the identity of his father.

But I also think what would happen is that they would be unsuccessful at taking him down completely. Instead, from the movie, he would be interested in Arima Kana, and target her through the course of her Shima D movie, and plan to kill her before an important awards night.

Alternatively, now that Kana is changing her focus to film, she may consider moving agencies, and ask Frill Shiranui about her agent. And if we’re right, she is likely represented by Kamiki Productions.

Either way, Kamiki will pay attention to her and try to kill her just before she reaches her highest.

But I don’t think Arima Kana will die. I think instead of being saved by Aqua, it’ll be Kana who takes Kamiki down. Echoing back to her getting mad at Aqua for thinking that avoiding her was protecting her, and Aqua believing that Kana doesn’t need help since she’s strong enough to take care of herself.

And then maybe, it’s Arima Kana who draws Aqua out of the darkness too.

And, just like with Kaguya and Shirogane Miyuki, Aka Akasaka is once again writing a story about two people who will defy a fate of divine tragedy, and come out of it being more truthful with each other than they’ve been with themselves all along.

[chaifootsteps]

is it me or is Charlie the 2nd worst character? I think alastor is the worse character because of how hard the writers try to make you love alastor because of how mysteries and scary he or thinks he’s clever, but nah he’s a insecure man baby who needs to be told he’s scary.

Charlie is annoying and the frustrating part is that she could’ve been better. She doesn’t do anything, doesn’t try to help Angel or herself. Alastor had

to be the one to get her to do something when she was crying in bed for a fucking month that her gf hid the fact she’s an angel, it’s not about the extermination because she won’t shut up about vaggie lying to her and her conversation with Rosie is all about being upset she was lied to. She’s a selfish girlfriend. Charlie goes to Valentino to ask time off for Angel when he didn’t ask her. This was something that frustrated me when the episode aired. Fans were saying charlie did the right thing but no like Valentino she took his consent away, he told her no and to leave but she didn’t, got him in trouble and he suffered the consequences of her actions and than acted like a little kid when she apologized and had to coddled by him and vaggie. This is the protagonist I’m suppose to be rooting for? Her daddy issues are nonexistent she sounds like a spoiled brat, who is sad daddy doesnt support her hotel, when’s he has made it known he drop everything for her, and will do anything she wants, he just doesn’t trust sinners or heaven and for good reasons. If they don’t want to change you can’t make them change and heaven has been killing them for years and why would they want sinners in heaven? Adam made is vert fucking clear they don’t care about sinners and just do it for shits and giggles and he’s the leader of the exterminators and SHE knows that heaven is scared of hell uprising and that’s why the states the extermination. Charlie is really dumb but since everyone is dumber so she looks smart by comparison. I hate Charlie. Also I keep thinking her stupid untucked shirt looks like a fucking skirt and it my brain itch so hard like why?

It's not just you; series Charlie is a pretty awful character.

Pilot/comic Charlie was a little bit naive and sheltered, but extremely patient and caring and savvy enough not to strike a deal with Alastor. Series Charlie makes grown adults dress up in sailor suits and play clap games, and when her playacting has real, adult consequences, bursts into tears about it.

[isagrimorie]

[initial reactions] Agatha All Along 1x04 - If I Can’t Reach You / Let My Song Teach You

Tumblr ate my last long rambling post, let’s do this again.

Series Spoilers referenced

There’s so many crunchy things in this episode. And how, in the end, the whole episode is permeated with love.

Lorna Wu’s love for her daughter, repurposing the spell for the Road to protect Alice. She made it so that at any point in time someone is singing her song to protect Alice.

First things that piqued my interest.

I’m currently out so I can’t pull up the captions: Did Agatha say, “I didn’t know you had it in you.” or “I knew you didn’t have it in you.”

Agatha gave Sharon a minute’s mourning and done. Agatha’s been around death so much she’s learned to compartmentalize it.

And then Lorna dying “on the road”, on tour is clever word play and shows how word of mouth stories can be distorted.

I feel like this is part of the theme being weaved. Agatha is a terrible person but most of the hate for her within the community I wager are rumors and some encouraged by her.

Jac Schaeffer has said Agatha lies. Their main thrust as writers is then to find Agatha’s truth.

Agatha wears a mask every time, she presents as someone more social and talkative than she is.

Agatha is, because of what happened to her, a solitary person. And when she’s really angry she fumes and doesn’t talk at all. The only one she almost is truthful with is with Rio, and not even always with her.

So I have a theory Lilia’s random outbursts is actually from Sharon Davis' ghost reaching out from the future to the present. Sharon might be dead but she’s not out. Also the cadence sounds like Sharon more than Lilia.

Jen is also so delightful in that she is also kind of the worst too, not as much as Agatha but right up there. Also I love her instinct for self-preservation.

I think we’re still going to get more about Jen in the coming episodes.

And Alice! Oh Alice, I love that she finally got to face the demon curse that’s haunted her family, and when she can see it, she knew she could kill it. I love the concept that her mother enveloped her in the best protection spell she could think of.

That was so smart.

And there is Rio summoned by the spell, the spell tagging Rio in immediately because she was nearby as a Green witch.

Agatha specifically asked the green witch it takes should not be annoying but the first thing Rio did was annoy the hell out of her. Agatha’s storming off was magnificent and I want her coat.

It’s so fun that even when Agatha revealed Rio’s intentions to the coven, Rio wasn’t annoyed, she was more amused than angry. Rio knows Agatha and her tricks.

Agatha caring for Teen was so great to see, seeing Teen hurt shook Agatha, and then Agatha’s “Don’t” to Rio was so loaded and begging.

Even though I didn’t know the series spoilers, I have actually suspected what Rio was before. But this would have confirmed it for me.

And it’s clear now Agatha’s hoping/suspecting Teen was her son, Nicholas.

It’s also clear to me now that my theory about how the rift formed seems to be true. Rio had to ferry Nicholas away from Agatha because it was her job. And Agatha never forgave Rio for it.

Agatha was clearly willing to forgive Rio because Rio spared Teen but Rio has revealed that Agatha is her scar and that also meant… whatever reconciliation that was going to happen Rio didn’t want it out of a lie.

So despite how much Rio wanted to kiss and hold Agatha for longer she told Agatha the truth. Teen isn’t hers. (Teen isn’t Nicholas.)

Rio can’t bear to reconcile based on a lie.

And that stopped Agatha cold, because there is still that chasm between them, her son. And what Rio had to do.

Talk about star crossed lovers.

I just want to give credit again to Jac Schaeffer and Mary Livanos (showrunner and executive producer) for making this happen. Because Disney wouldn’t have let this happen on their own, but Wandavision must have earned Schaeffer a big cachet in Disney to let this happen.

Especially in the era of Bob Iger part 2– under his watch Willow was taken off Disney+.

Eternals is the one with the clearest, textual queer characters in MCU. Runaways, is unfortunately, not included in the MCU because of Kevin Feige and Ike Perlmutter’s feud.

—-

The sigil talk btw is interesting so my theory: It was Wanda, somehow, protecting Teen.

My second theory? It was Agatha All Along! How? I bet it’s timey wimey.

[spop-romanticizes-abuse]

Midsommar vs SPOP: Cults and Religious Trauma

i watched Midsommar recently and was struck by how subtle and nuanced the Hårga were, in comparison to the Intergalactic Horde. of course, i don’t expect SPOP to show the kind of brutal gore that Midsommar did, but what i’m talking about is the way these cults indoctrinated members.

Horde Prime just mind controlled everyone to follow his orders and praise him, and it just felt so immature, especially compared to the way SPOP handled some of the other deeper topics. you’re telling me they wrote an actually good manipulator in the form of Shadow Weaver, but couldn’t do the same for Horde Prime? cult leaders are supposed to be manipulative. they don’t just force you to join their cults because it’s so much easier to break out of it. no, what they do is they convince you that this is for your own good. they promise you support, community, happiness, peace. they especially target emotionally vulnerable individuals, because they are a lot likely to accept help from a large community who is seemingly just looking out for them and trying to help them out.

and this is what happens in Midsommar. Dani recently lost her entire family to a murder-suicide, and her boyfriend had fallen out of love with her at this point and he often manipulates and guilt-trips her whenever she points out his mistakes. she was overall extremely lonely and depressed, trying hard to repress her emotions for everyone else’s sake. this is the kind of person the Hårga were looking for. a lot of the audience didn’t even realize that Dani was being indoctrinated into a cult or that joining said cult was going to be very unhealthy for her. that’s how convincing the Hårga were.

Pelle especially seems like the warm, comforting figure that Dani needed, letting her open up about her feelings and listening to her, in contrast to Christian, Dani’s boyfriend, who was often preoccupied with other things, and didn’t even bother to remember Dani’s birthday. you almost root for Pelle and Dani to end up together, until you realize that he is also part of the cult and all of his empathy and compassion is just a clever way to manipulate Dani into trusting the Hårga.

the scariest thing about the Hårga is that they weren’t large, imposing figures with a god complex. they didn’t have a leader who ruled them with an iron fist. they were just a seemingly normal community with seemingly normal people who had fun rituals and celebrations, and seemingly supported and cared for one another. even after seeing two people die brutally, Dani was still manipulated into joining the Hårga because they took advantage of her trauma and her loneliness. she desperately needed actual support and a shoulder to lean on, something her boyfriend didn’t provide. so when the Hårga offered her that support, it was easy for her to believe that this community was exactly what she needed.

and i think SPOP could have pulled something like this off, especially with Catra. if they really wanted us to believe that Catra felt guilty about her actions, they could have gone a more interesting route. i mentioned this in a previous post but instead of Horde Prime chipping Catra, they could have shown him manipulate her and promise her that she can be absolved of all her sins if she joined him. instead of being all like “teehee i know you have a crush on adora, you gay kitty”, they could have shown him feed on her insecurities and loneliness, and promise her a happier future of she joined him, playing on her need for validation and affection.

and in a moment of desperation, Catra believes him. she has lost everyone at this point, so she accepts what little comfort is offered to her. and then it’s the writers’ choice whether to redeem Catra by having her come to the realization that worshipping a genocidal tyrant with a god complex is actually not going to help her become a better person, and that she was just repressing her guilt and convincing herself that this is the best option; or to have her stay and face a tragic ending of sorts. either way, i think it would have been better than what we got.

i know that Nate apparently struggled with religious trauma and guilt (according to a few posts i saw, at least) and i’m not trying to say that i know his experience better than he does. i just think the execution with Horde Prime was really off, and he was almost like a funny caricature of a cult leader, rather than a representation of an actual cult leader.

[rustfoxes]

Disjointed DAtVG feelings/opinions

I've played the game for a bit, I'm not too far in yet, and honestly? I hope it gets better. Spoilers & venting below as you might guess.

Everything seems to be tell, don't show. There's very, VERY little trust in the player. Characters happen upon a ruined village? "The village is ruined! There's no one here!" Yes, we can see that. Character looks upset? Text pops up on screen to tell you that IN FACT!! Character is upset. Couldn't have guessed.

Everything is explained out loud immediately, except the arguably actually important things. If I remember correctly, there's no mention of the 10 year (?) timeskip from DAI, everyone just now knows everything about elven magic and the Fade and the Veil EXCEPT FOR THE PLAYER. None of that is explained! New players are expected to just know, which in some games works, but when you throw characters into a magical forest and say it's Arlathan forest, how tf are they supposed to know what Arlathan is.

Why is Varric a brunette all of a sudden

Characterisation of returning characters is fucking wild. Fun, jokey Harding? Massive chip on her shoulder and real aggressive for some reason. Soft-spoken and measured Solas? Yelling, again, for some damn reason. Where is his iambic pentameter? And he hates blood magic all of a sudden?? Did the writers play the earlier games at all? Solas SPECIFICALLY says in DAI that blood magic has no morality to it and is merely a tool.

The game is linear to the extent that I cannot for the life of me see the point of the game asking you to wrap up unfinished business before moving forward. What unfinished business? You've locked us into a small room with 0 exits and 1 chest. There is no business.

So far there's been zero time for any of the story to breathe. There are no story beats, because the drum machine that is the pacing just keeps hammering on. The gravity of the situation has no time to set in for anyone. THE ACTUAL GODS OF MYTH HAVE BEEN BUST OUT OF GOD-JAIL. THIS IS A HUGE FUCKING PROBLEM. "Yeah, well, people would've died if Solas hadn't been stopped from tearing down the Veil." And this is preferable???? What the actual fuck. DAI Solas wanted to rebuild and to safe-guard his people. TWO of the people he wanted to PROTECT EVERYONE FROM are now out. But oh man, that Solas, he would've hurt folks. You think the wondertwins won't? Jesus fucking Christ.

The gameplay more or less just completely scraps character classes. Playing a mage rn and for some damn reason she has separate ranged attacks. What the actual fuck. What is the point of making people choose a class if a damn mage has to stand next to enemies to attack?

So far doesn't feel like an RPG at all. Starts in media res which is fine, but your character is already established as a cool hero and an important figure. Why? Why weren't we along for that ride?

Character movement is janky af, DAI was much smoother 10 damn years ago. Hopefully they'll somehow manage to fix it.

Either they needed better actors or a much better voice director, because holy shit is the dialogue awkward and halting and just... no.

Writers have clearly had shoes far too large to fill. Dialogue wants to be funny and witty and clever. It is not. Specially not with the phoned in voice acting.

Where have my Welsh/Irish elves gone? Wtf happened there? Also why wasn't there anyone around to tell the actors how to pronounce the elvhen words??

Why the fuck is the rogue our healer.

All quests so far have been walking from A to B, collecting some coins along the path, and then fighting 5 or 10 enemies. No variation at all.

Idk man, I really hope the game will find its legs as it goes on, but so far? Massively underwhelming and honestly quite disappointing. Absolutely does not feel like DA. People critisised DA2 for being rushed and DAI for a whole host of shit, but at least I felt like I was playing a Dragon Age game.

[stickstone]

i think wind really demonstrates one of the main issues with the way warrior cats is written, that being the fact that nothing gets planned out in advance and the writer changes every book

because every book has to end with this big Moment, certain plot points get either rushed or delayed. for example, why the hell did they wait til the very end of thunder to make splashtail the leader? just as frostpaw got back?

it would have made way more sense for splashtail to be made leader early on in the book, so we could see from sunbeam’s chapters how splashtail was rebuilding riverclan in the background and gaining loyalty and respect. it could a sense of dramatic irony, with frostpaw and the reader learning the truth about splashtail while those back in the clans trust him more and more, giving him a great deal of power

this way, by the time frostpaw gets back, splashstar is a well established leader. it makes more sense why riverclan would be so opposed to the idea of loosing such a strong, stable leader, and it would be easier for splashstar to use his reputation and the current political climate to make it look like tigerstar has turned poor traumatized frostpaw against him

instead, by having thunder leave off on this big, dramatic ‘reveal’ of splashtail being made leader, the erin’s write themselves into a corner. there is no reason for frostpaw not to share the truth, so she does, but whoops! they can’t just end the arc with splashtail getting overthrown, so, even though it makes absolute zero sense for LITERALLY ALL OF RIVERCLAN to turn on her, they do

so now the erins have to justify why splashtail hasn’t been overthrown yet. if he was written the way he was previously written, it would make no sense for all of riverclan to throw their support behind him, so the erins have to turn him into a tyrant that everyone is too scared to stand up to

this is how splashtail goes from a clever, manipulative, if very impulsive and easy to anger villain, to a Godless Heathen Tyrant who kills his deputy for mildly disagreeing with him

because thunder ended with a Big Plot Twist, wind has to spend the entirety of its runtime justifying why the main conflict doesn’t just end right then and there. that is why the pacing screeches to a halt and that is why an artificial upping of the stakes happens right at the very end

wind is a book that spends its runtime trying to justify its existence. which is not what you want to see in the penultimate book in an arc

[peijizerojournal]

re: 'khaos reigns'

i have SO much to say about it lol but i'm still gathering my thoughts. all i know for sure is : even though the bar (in regards to quality of story and characterization) was on the floor, i am still, yet again, extremely disappointed !

(rant/review/spoilers below. will maybe add to this, but also maybe not. just purging some of my thoughts lol)

in a nutshell,

the way liu kang, kuai liang, cyrax, sektor and bi-han's characters were all deviously misrepresented was just appalling.

kuai liang is depicted as heartless, arrogant and temperamental. posturing as a 'grandmaster' even though he's done nothing but usurp authority by establishing a 'clan of his own' and pointing the finger at everybody but himself. lecturing cyrax about honour... pfft.

liu kang is strangely unforgiving and not very compassionate (he was literally more gracious in how he handled shang tsung/quan chi over bi-han?? like what??) not to mention his lack of urgency with dispatching of havik and rescuing geras. instead of extending some authentic benevolence to bi-han, he instead goads and chastises him after his transformation, and fails to elaborate further when they have their brief interaction regarding his hopes for a different future. the miscommunication between them -- in other words -- continues to be infuriating.

sektor doing nothing but being comically op and fawning over bi-han every three seconds is so all over the place, like they couldn't decide or couldn't find a nuanced balance in her persona (an issue with many characters, it seems...). while i thought she was the most accurately characterized out of all of these major players, her defining traits such as her obsession with the cyber initiative and boosting the lin kuei's position are not made so clear in the actual story? instead the writers chose to focus on her over-the-top, one-sided adulation toward bi-han. it makes her so hard to take seriously as a threat or as the next acting-grandmaster. another storytelling fail!

cyrax starts off the dlc defiantly, standing up for what she believes in and deciding to help the shirai ryu, yet during the rest of the story, she has no agency and just follows kuai around profusely apologizing for something she didn't even do (and kuai was relishing in that shift of power.... gross.)

and bi-han... i think that situation speaks for itself. missing chunks of the leak script and clever editing in the trailers left most of the fanbase baited and switched, and not to mention literally anything could happen next because of the lack of commitment to any of the lore and to even the timeline itself. many of the tower endings contradict much of the intro dialogue and the campaign itself. i guess by introducing alternate timelines and universes so early on, it gives the writers fair game to retcon anything and everything. which, effectively, pulvarizes any meaning for liu kang's 'new era' going forward.

i could keep ranting but, in short: 'khaos reigns' was rushed, boring, full of poor characterization and enough 'macguffins' and 'red herrings' fit for a superhero movie. so many plot holes and loose ends that weren't followed up on (like hello, what's with the hand on noob's hip? and where the hell did titan havik go at the end? was he banished? what about the kamidogu???). there were so many missed opportunities to flesh out preexisting conflicts too, and the pacing of everything from dialogue to the transitions between chapters was completely disjointed. all the characters actions were seemingly shortsighted and many of the decisions made led to nowhere and nothing really changed by the end. nobody went through any real character arc or growth, nobody knows what happened to our over-hyped 'villain of the week,' and the tower endings cancel out the dlc's true ending, essentially making all of it, and none of it, 'canonically accurate.'

it's clear whoever's writing this has no respect or insight for the source material, and is just doing whatever they want: whatever's popular, whatever sells, right? the one thing about a multiverse story is, you can keep that going forever. the possibilities are endless, and if they don't like something... it can be changed with a snap of the finger. kind of reminds me of one of supernatural's awful later seasons, or destiny 2's "shadowkeep" expansion. 'khaos reigns' comes across as a shoehorned seasonal narrative that exists solely to sell noob, cyrax and sektor and little else.

oh yeah, and the future dlc's that are sure to come.

[lewkwoodnco]

Hii I want to request Anthony Lockwood!fem reader, with the song I Can See You, where they are rivals kinda like him and Quill, and she hates him because his annoying, and he just likes to flirt with her to annoy her. And they get put on a case together by DEPRAC, and I don't know you could make some scene like from Lockwood&Co season 1, where he and Lucy where discovered by the relic man and his wife, I don't remember their name, but like something similar, where he is willing to do anything just so they don't hurt her. Also, could you put a dagger to the throat scene in somewhere, where the reader is holding a dagger to his throat, but all he can think about is kissing her. Obviously, you can make the plot so it suits the song. I hope you could write this as long as possible because I love long fics, and your Lockwood fics are just amazing!!

I Can See You - Lockwood x Reader

A/N: Had a bit of writers' block with this for a while, but I think it's one of my favourite works yet. TW slight suicidal and death mentions, spoilers for the ending of the second book in the series. 5.9k, enjoy!

Lucy Carlyle was currently looking back and forth between Lockwood and the leader of one of the teams from Fittes. Both of them were just staring intensely at each other in silence, expressions inscrutable. The Fittes agents watched their leader apprehensively while George was practically beside himself with glee.

"George, who's that?"

"Y/N L/N. Lockwood's had a bit of a thing for her for a while."

"Bit of a thing...?"

"They hardly agree on anything. Makes for some very entertaining cases, if dangerous. I've put money on her setting his coat on fire within five hours."

Lucy opened her mouth to ask more questions, but George shushed her impatiently.

"Look what the cat dragged in."

"Nice to see you too, Y/N.”

“Can't say I return the sentiment, Andrew.”

“Charming as ever, I see."

Barnes had sent them a letter a few hours ago, requesting their immediate assistance on yet another DEPRAC misson. That was nothing new, and neither was them being partnered up with a team from either Fittes or Rotwell. But a boyish glow had washed over Anthony as he skimmed the letter; he looked pleased enough to start humming. George didn't have as intense of a reaction, but his eyebrows had disappeared into his hair and he hadn't wasted time dawdling like he usually did. And now this stand-off. Strange.

“At least the papers get my name right.”

“I’d rather your lips get my name right."

"Oh, fuck off."

"You kiss your mother with that mouth?"

There was a small kerfuffle as her teammates lunged to hold her back as she tried to launch herself at Lockwood.

"I take it back. Fuck you Lockwood, you and your agency can go to hell. Oh, hi George. Did you get my biscuits?"

"They were lovely. This is Lucy, by the way. New recruit."

"Hi Lucy. I like your boots."

"Thanks. I like your belt."

"Really? I got it for a really sweet deal."

"Well, while we're exchanging compliments," Lockwood began all too innocently, unperturbed by her glare, "I really like your jumper, Y/N."

A curious silence followed as she stared at Lockwood, trying to figure him out. Next to Lucy, George inhaled sharply as realisation struck. "Now that I think of it, might be best to lower it to three hours."

She finally broke the silence, but she didn't want to give him the satisfaction of falling for his only seemingly innocuous bait. "Right, well, I don't care. I hate it, in fact."

"Really?" He had the gall to raise his eyebrows as if genuinely surprised. "Hmm. I suppose you're right. It would look better on my bedroom floor."

She was too flustered to come up with any clever sort of response, only this choking sound that was a cross between a scoff and an expression of disgust. It was only because it was completely uncalled for, she reassured herself. Why would she want to know anything about his bedroom, floor or otherwise? She suddenly became aware of the murmurs running through her team and she rallied her senses as best she could.

"In your dreams, Lockwood."

"Ass-kisser."

"Rule-breaker."

"Goody-two-shoes."

"We're starting!" Barnes hurried in, so she had to settle for giving Lockwood a very dirty look. "Well, not much to it this time. We're missing source, a pair of opera glasses, recovered only a few hours ago."

Barnes holds out a file and Lockwood and her both lunge for it, but she's just a fraction quicker. Feeling unusually smug, she takes her time smelling the paper, flicking the page, glancing at the ghost of the competitive smile on Lockwood's lips.

"...we think it's more likely that they're still inside the house they were found in, but it's always possible that they've already been stolen-"

"Wait, a poltergeist?" She was holding the file open to the second page. "Inspector Barnes, you can't be serious!"

"You'll manage. Reports don't point to it being particularly vicious, and visiting the house is more of formality. We don't expect the source to still be there, buy we didn't check for hidden walls or flooring." One of Barnes' assistants leaned forward to whisper in his ear, and he nodded. "I have to go. Find the source."

With that, Barnes left, and the two teams stepped forward to absorb the space he left, Lockwood and her facing each other directly.

"Well then, to the house we go."

"Are you crazy? With a poltergeist? That's a suicide mission."

"But isn't that what Inspector Barnes said?"

"I don't know what kind of agency Lockwood & Co. is, but at Fittes we address our superiors with respect."

"If the source is at the house, we won't have to deal with Winkman. Case closed."

"My team would rather deal with Winkman than a poltergeist. Case open."

"No, your team wouldn't think that if they had actually dealt with Winkman before, like we have. Case closed."

"But-"

"Look, you do not want to deal with Winkman. Trust me on this."

------------------------------------------------------------------------------

The air in the house was stale, and the creaky floorboards made her jump while the wind howling through some draft kept her on edge. In short, the worst kind of house to deal with a poltergeist. The corridors were so narrow, shrouded in darkness except for light from the ghost lamps filtering through the cracks in the ceiling, and everything smelt like death. They were walking in a single file, Lockwood and her at the end, just to make sure no one got left behind. Of course, that also meant that she had no respite from his incessant chatter, his warm breath tickling the nape of her neck.

"Would you quit it? I'm trying to Listen."

"We'll be fine. I happen to have the-"

"The best Listener in the country, yes, so you've mentioned. A few billion times."

"Aw, cheer up. I'm sure you're not half bad either."

"I'm perfectly cheerful, thank you very much."

"Then I wonder what you're like when you're actually all wound up."

That was her breaking point. She needed to assert herself if she had any hope of being even remotely civil towards Lockwood on what was beginning to look like a very long case. She spun around, pulling out her dagger and pushing the flat of the blade against Lockwood's neck while the rest of the party continued on, oblivious.

"Still no rapier? Y/N, you're going to get yourself killed. That butter knife of a weapon isn't going to do anything to a ghost."

"Listen, Anthony, I'm here to do a job, not entertain your charades, and I'd like to do so with as little casualties as possible. But if you don't stop, I think I can make an exception for you. Stay out of my way, and I'll stay out of yours. Are we clear?"

She revelled in his stunned expression, mouth ever-so-slightly agape, finally receiving his full attention. But as the glow of her satisfaction faded, she felt a lump growing uncomfortably in her throat, suddenly aware of the simmering hunger in his gaze, completely unable to tear her eyes away. Maybe it was a trick of the light, but she could have sworn he ever so slightly licked his lips, and unbidden images of what they could, or would, do if they were alone flashed in her mind's eye. She felt rather than imagined his mouth pressed unyieldingly against hers, his hair in her fingers, their bodies pressed impossibly close to each other.

She inhaled sharply, blinking, unknowingly withdrawing within herself, her dagger resting on his collarbone rather than his throat. Lockwood's expression was back to normal, insufferable and aggravating as always, but there was a slightly less arrogant tilt to his head now.

"If you wanted me up against a wall, all you had to do was ask."

"I'm not even...going to deign you with a response to that. It's scarring to just think about." Not her best, but it was all she could force out without giving away the need bottled up inside of her. But she could see in the way that he wasn't quite meeting her eyes that he felt it too. That moment had permanently shifted their relations. From professional, if slightly hostile, to something far more intimate. It made her dizzy with want, or fear - she couldn't decide.

One of her teammates had stopped at the door at the end of the corridor, hand hovering over the doorknob. Lockwood squeezed past the single file, barely brushing against her, razor-sharp focus on the door. She hated the way her cheeks flushed at the slightest of his touches. He became a totally different person when he was working: dedicated, professional, capable, and the Fittes-agent in her couldn't help but find that efficiency desperately appealing. But it was more than that. As big as his ego was, he clearly didn’t think much of his casual nonchalance or confidence, and there were these increasingly frequent moments where she would be possessed by this sudden insanity to wrap her arms (rather than her hands) around his neck.

Months of suppressing and denying feeling anything other than despisal towards him certainly didn't help matters. It made her feel unstable, like she didn't have proper control over what she would do or say when she was around him. Kiss him, kill him, push him over a bridge...She spent half of her time with him enraptured and the other half trying not to think about him. She bit the inside of her cheek. There was something about his daring, his ability to throw himself in the direct line of fire that made him so dangerous, so addicting.

The boy at the front stepped back, relieved, as Lockwood pressed his ear to the door. He started turning the doorknob.

"Lockwood, don't, you can't hear a poltergeist. He's probably heard us by now but he hasn't done anything yet. Don't be foolhardy. It could be a trap."

"I don't think it's a trap."

"You don't know it's not a trap. We need to think about what to do next."

But it was too late. Lockwood swung the door open. In an instant, the floor heaved, then gave away, and suddenly she was falling through the air.

"Lockwood, I fucking hate your guts!"

Out of nowhere, she felt herself being grabbed by the waist and then almost immediately slammed into a wall. There was this awful ringing noise in her ear, but at least she had someone to hold onto.

"Please, save the dirty talk for the bedroom."

She groaned, wishing it was literally anyone else, trying to block out the warm feeling of his body pressed against hers.

"That's twice I've saved you now, by the way."

All she could manage was an incomprehensible scream which made Lockwood wince, not realising her lips were on the shell of his ear. Strangely enough, despite her panic, she felt oddly grounded by the feel of Lockwood's rough coat desperately clutched in her hands and his annoying yet normal quips. It was a new sensation. Plastered against her mortal enemy, and yet it was the only thing keeping her breathing? The intimacy of how she was wrapped around him made her breath hitch, and the anxiety it induced was enough to drive her back to the present.

Looking down was nauseating, and looking up was somehow worse. Lockwood had wound a loose wire from the ceiling around his knuckles, and it was digging a cut into his palm. She felt her grip loosen as her head spun, but the arm around her waist tightened. She felt a brief flicker of peace, or maybe hope, and then the ceiling started to crumble.

------------------------------------------------------------------------------

The last bits of debris were still falling when she came to, but she could have sworn she had blacked out in fear for a moment. She couldn't feel any broken bones, only a heavy weight on her hip. She blinked away the blood and dust and saw the weight take the form of Lockwood.

"Well. I didn't know you were so scared of heights."

Lockwood didn't like admitting fault, and she didn't like admitting weakness. It was such a silly thing to be afraid of, but and when all Lockwood did was push her to the precipice of territories unknown, she didn't know what to do with the fear running through her. Didn't know what to do, except lash out.

"Get off. Get off.”

"Geez, take me out to dinner first." She finally snapped.

"This is all your fault!" She yanked him towards herself by the lapels of his coat, yelling at him through tears. "That's twice you've put our lives in danger, idiot. I told you it wasn't worth it, that we would be so much better off at Winkman's, but you just had to go for the more dangerous option. You just had to open that door. Anthony Lockwood, you're a professional show-off. What if someone on my team died today? You'd just skip on home while I would have to live with that grief for the rest of my life. You don't know what it's like to see someone Ghost-touched in front of your eyes and being completely and utterly helpless."

The lines on his face hardened. "Y/N, if the worst thing to you is death, you won't stand a chance against Winkman."

"What do you know? You've demolished an entire house. Face it Lockwood, everything you touch gets destroyed."

He was finally out of smartass quips. She felt small just saying that. She knew it was too far, and under-handed, but she was just so mad she couldn't help but spit fire. Why did he have to be so reckless? Didn't he realise his luck would only last him so long?

She felt an awful prickling at the back of her eyes, and she tried to convince herself that no one noticed the rough edge to her voice. "I think it's best we go our separate ways." With a heavy heart, she turned, her team tiredly following her, no one pulling her back to stay this time. Feeling the floor fall beneath her feet and seeing Lockwood grasping for life with his fingertips was too frightening for her to stay, and if that meant she was a coward, so be it.

Too much of a coward to even look him in the eye.

-----------------------------------------------------------------------------

Her team decided to stop for supper before tackling Winkman, not that she managed to eat much. The events at the house sat like lead in her churning stomach as she turned the memories and images in her head, until she felt numb. It was either that, or acknowledging that she just might be the worst person in the entire world. Distantly, she heard her team discussing their plan of attack at Winkman's, and suddenly her mouth was forming words her brain wasn't aware of.

"I'll go. No point in all of us going, we wouldn't be stealthy enough. Besides, I'm responsible for all of you. Contact DEPRAC if I'm not back in 12 hours." With that, she stood up and left before she could properly hear her team's protests.

As she drew nearer to Winkman's, she heard repeated dull, echoing thuds of metal hitting metal. She crept up cautiously with her hand on her dagger, then visibly relaxed when she saw it was just Lockwood hammering away at the lock.

"Oh. It's you." Apart from a glance, Lockwood acted like he didn't even hear her, or know her, with an impassive expression. A part of her was angry, but another part knew it was what she deserved.

"You're lucky it was just me. That dagger's not scaring off anyone." She fumed. Did he have to be so antagonistic? Why couldn't he be nice or just civil like a normal person?

"The dagger works perfectly fine for me. I have no trouble scaring anyone off."

"Yeah, I can see that." His voice was so rough with hurt and resentment that she instantly regretted everything she just had to say. She opened her mouth to apologise, but was interrupted by the final clang of Lockwood's rapier and the thud of the lock falling off.

"Lockwood, I'm really sor-"

"Save it. Somehow, that's still not the most frustrating thing about you."

Her mouth dropped open, and it was a good few seconds before she spluttered and found her voice again. "Frustrating? ME? Are you out of your mind?"

She felt her back slam against the aluminium door, not much different from how she had cornered Lockwood in the house. Lockwood's arms caged her in, but he didn't make her feel nearly as claustrophobic as her emotions did, threatening to claw their way up her throat. He was impossibly close, breath ghosting over her face, overwhelming her senses, and she felt every rational thought scatter in her brain, like loose marbles. His voice was gravelly, almost tender, and she didn't trust herself to speak.

"What would you do..." She didn't resist the arm snaking around her waist, nudging her closer. "If I held you like this..." His other arm reached into her scalp, sending a shiver down her spine, cradling her head and exposing her neck in a way that made her feel too vulnerable. His breath tickled her ear, threatening to snap every single one of her highly-strung nerves, mouth just a few inches below her temple. "...and kissed you?"

For a few short seconds, all she was aware of was her distracted, erratic heartbeat and the feel of Lockwood all around her. She felt her legs losing circulation and her knees threatened to buckle at any moment. He pulled back, cold air rushing in to take his place and sting her scarlet cheeks. Her answer must have been written all over her face, making Lockwood laugh sardonically.

"But no, Y/N L/N is too good, too proud to be involved with anyone beneath her. So she'll deny and push down any sort of feeling or passion," he spit that word out with such vehemence, "Like she's some saint, too holy to meddle with mortal sins like love. No, no, so in your perfect, sensible words, let's just stay out of each other's way." Even though they were her own words, it stung to have them thrown back in her face with such malice. Lockwood started on one end of the warehouse, and she started on the other end, sifting through the hoards of trinkets as if on autopilot.

"I wasn't kidding before. It really is dangerous to carry a dagger instead of a rapier. You'd be ghost touched before you realised."

Lockwood's voice floated above, somewhere beyond the walls of junk. Her hands trembled as she continued, guilt gnawing away at her, fixating on the feeling of his hands on her.

"And just so you know, if someone on your team died, whether or not it was because of me, I would very much care. I don't think I would be able to live with myself."

She groaned internally, the beginnings of a migraine spreading through her temple. Why did he have to be so complicated? "Which is why," he continued, "you should go back. I've handled him before, and I can handle him again. You're way out of your depth here."

"I've been an agent nearly as long as you have. I'll be fine. Just focus on finding the glasses so both of us can get out of here."

"No, you won't. Trust me on this. Leave."

"Lockwood," she began irritatedly. She was so very tired. Why did Barnes ever think they would make a good, or even functional team? "I mean it. Stop being an ass and just look for the glasses, okay? Lockwood? Lockwood?"

She crept around the aisle, peeking from behind a tapestry. Her vision was limited, but she could see enough. Lockwood was kneeling, talking soothingly to this little boy of about five. There didn't seem to be anything obviously hostile about him, but something about the scene deeply unsettled her. Suddenly, there was a flash of electricity at Lockwood's neck, and he slumped forward. She bit her lip to stop herself from screaming, tasting blood.

She turned away as the woman who had shocked him dragged him off. Her heart shifted into overdrive. She looked around blurrily, fighting back tears, shoving down the panic and bile rising in her throat. She had to save him. No, she had to find the glasses first. Then she would come back with reinforcements. It was only logical. But what if it was too late by then? She clumsily searched the little cartons, making more noise than she would have liked, breathing shallowly as she desperately fought the panic attack hovering over her.

Maybe it was just her heightened anxiety now that she was alone, but she felt the hairs on the back of her neck prick up. She spun around and was badly startled by that same boy - Winkman's grubby gremlin of a son. Oddly enough, it grounded her enough to stop spiralling. "What are you looking at? God, you're so creepy. Quit it with that smile, your cute act won't work on - oh."

And it was just as those words fell from her lips and the world turned black that she realised her horrendous, absolutely awful mistake.

------------------------------------------------------------------------------

When the world came back into focus, she felt terrible. Every joint in her body was screaming for relief and her sore muscles ached. Once she had adjusted to the blinding light, she felt the rough floor against her cheek, heard voices around her; one behind her and one in front. She felt...distant, somehow, but she was sure one of them was Lockwood's...so the other had to be Winkman's.

She shifted her fingers as much as she dared, heart in her mouth for fear of being caught at any second. The muffled voices continued miles away from her, as if she wasn't even in the room, one of them becoming increasingly agitated. What was Lockwood even doing? Couldn't he see that she was awake?

She blinked imperceptibly, and the blood roaring in her ears finally died down. Her head hurt and her senses were too stimulated to think straight, but she managed to pick out Lockwood's voice eventually.

"I'm telling you, I don't know her. We're not even from the same agency."

"Is that so?"

"She might not even be an agent, I don't see a rapier on her." She felt a stab of annoyance and then overwhelming relief. Her other hand was stuck beneath her, but if she could just wriggle it around enough - yes. She still had her dagger. Her fingers closed over the handle, waiting for the right time to strike.

"Then you won't mind if I..." Winkman trailed off, and her glow of happiness was immediately extinguished by the feeling of a cold barrel pressed against her skull. It took all her efforts to not openly panic. She closed her eyes tighter, bracing for the pull of the trigger as she heard the gun click.

"Don't!" Lockwood's voice reverberated in the dingy room, startling everyone.

"So you do know her."

"I don't, I just think that she shouldn't have to die when she hasn't done anything wrong. She just got caught in the middle of this. Please, she can't tell you anything. Just let her go."

"How would you know? Fittes uniform...looks like some higher-up. She probably knows something of value, and I could probably force it out of her," he pressed the gun more insistently into her skull, "if not out of you."

Her mouth was dry as her heart hammered against her chest. She was going to die here, she could feel it. Suddenly, she heard Lockwood speaking in a rush, breathless, and she felt her heart sink.

"Fine. I know her. And I know she doesn't have anything you want. But I do. Whatever you want to know- want to do, do it to me, I'll tell you everything. You can kill me, I'll never see the light of day again, and no one will find out. No one will come looking. Just let her leave, she won't breathe a word of this to anyone else, I promise."

She could feel Winkman consider his words, and after a moment or two, she felt the barrel being lifted from her head. That was all she needed.

With her free, outstretched hand, she grabbed the barrel, hoping and praying Winkman's finger wasn't on the trigger. Her prayers were answered, and she jerked the rifle upwards, which punched him in the jaw. His grip loosened, and she turned the rifle on him, slipping Lockwood her dagger with her other hand to cut himself out of his restraints.

"Take one step towards us, and I'll shoot." Winkman was right where she wanted him, because there was nothing more terrible for a man as selfish as him than dying, missing the chance to enjoy his spoils. Her voice was calm and belied the rage simmering underneath her. How dare they hold Lockwood hostage like that? They were going to pay, and she would make sure of it. She was so furious, and all reason had been thrown out the window by that point.

"Actually, I don't need a reason to blow your fucking brains out." She raised the rifle, taking aim, just about to pull the trigger, when she felt Lockwood's hand on her shoulder. She didn't even turn to look at him, but she immediately felt the anger bubbling within her flow out, replaced by the gasping relief that everything was going to be fine.

------------------------------------------------------------------------------

She kept the rifle trained on the couple as best as she could with her trembling hands as she and Lockwood slowly backed away, then broke into a sprint, rifle tossed to the side halfway through. When they had finally run far enough into the city, they stopped at a bench underneath a ghost lamp, and for several seconds there was only the sound of their panting as they struggled to catch their breaths.

"I think," she began breathlessly, "that's the third time you've saved my neck." Lockwood looked at her from the corner of his eye, and she smiled so earnestly that they couldn't help but laugh. Their laughter swelled in the silence of the night.

But the laughter was temporary, just like their relief, and once they fell silent, the tension from earlier returned and occupied that vacancy. She pulled out a mini first-aid kit and started cleaning up his cut, which looked grimy and almost definitely infected by now.

"What was that, at Winkman's? You were practically begging him to kill you."

He didn't respond, and his eyes had taken on a dull sheen. It confirmed everything she needed to know.

"I...I guessed, a little...never would have thought it true."

It was like talking to a mannequin, except for the occasional wince when the rubbing alcohol stung. She didn't even recognise her own voice. It hurt to think about her being more attached to Lockwood's life than he was. The vigour with which she bandaged his cut grew with her words.

"It...It feels weird when you say things like no one would come looking for you. Your friends care about you so much. George would burn down the Archives if it meant saving you-" Lockwood groaned at the idea. "-and yes, he will bitch and moan about it for probably years on end, but if it meant you sticking around? He'd do it in a heartbeat. And I'm sure Lucy is no different either. I don't know how you got this weird idea that we'd just move on with our lives if you disappeared, because we wouldn't. Lockwood, people care about you, so stop being an arse and just let them."

"Even you?"

She paused, pretending to focus on the ointment. Opening up was as difficult as cracking a walnut open, but it was a bit too late to avoid all this. "I get restless if I don't see you in the papers for a while, whether it be for burning a house down or actually getting a job right. And every morning when I pick up the paper, I hope...I hope i don't see your obituary. So yes, Lockwood, I would hate it if you were dead. Who else am I going to butt heads and dream about making out with?"

Lockwood sat up, suddenly very interested. "Relax, it was a joke, just trying to breathe some life back into you. There, you're all done."

He fidgeted, looking down at the blood bleeding through the thick layers of the gauze bound almost a little too tightly to his palm. In the pale yet weak light of the ghost lamp, he suddenly seemed years younger, someone just like her. Someone who may have been a rival, but first and foremost, was an equal. She felt this sudden pang inside her heart. She dropped her voice, as if saying it a little louder would make her feelings for Lockwood all the more real.

"I didn't mean, what I said, earlier." Lockwood waited for her to continue. She had said a lot earlier. "About you being...destructive. I guess I was just furious that you had me a wreck when you weren't even trying all that hard. I'm such a mess, Lockwood, you have no idea. My dagger?" she pulled it out with some difficulty, wiping away the grime on it with her sleeve, her bloody face staring back at her. "It's just because I suck at using a rapier. I'm not even middling, I suck so bad it's not even funny. Stop!" Lockwood's mouth was twitching at the corners and when she finally looked up, looking like a cat left out in the rain, all because she couldn't handle a rapier, he lost it. "You know, you wouldn't be laughing like this if you actually saw me-" That just made him laugh even harder. She shook her head, waiting for him to finish.

"Y/N," he began, once he was done laughing. "You really are better than any medicine." He interlocked his fingers with her, raising her hand to kiss the back of it. "You can't handle a rapier yet, so what? I'll teach you. And then you'd need loads and loads of practice before you could get anywhere as good as me."

"I'm not done." He threw his head back dramatically. "I have a list!"

"Of course you do."

"I heard that." There was something infectious about his teasing smile, but its warmth was fading fast as she unpacked a memory she had shoved into the corner of her mind. She didn't like thinking about it too much, it made her too hopeless. Even now, she felt waves of despair crashing over her. "I didn't mean to fly at you like that earlier. It's just, my mum's been ghost-locked for a few months, and I'm not having the easiest time dealing with it."

She felt Lockwood still next to her, hating yet craving his sympathy. It had been so hard to wake up each morning, put on her suit, and go about her life while fighting the very real fear of never speaking to her mother again. It was like a long, drawn-out death that repeated every day. He wordlessly pulled her in as she sobbed into his chest, unravelling at the seams. If it was anyone else, she would have been mortified, but with Lockwood...it was different. It always had been.

"I understand," he murmured into her hair, "my sister was Ghost-touched in front of me. "If I had cared a little more...she might still be alive today."

That just made her sob even harder. How did he stand it, her hurling every insult in the book at him, when she didn't know the first thing about him? She don't know how long she cried, long enough to release months' worth of pent up grief, but Lockwood didn't show a single sign of wanting to let go. She wrapped her arms around him as she calmed down. She never wanted to let go of him.

"I never thought you were beneath me." Her voice was muffled as she spoke into his chest. "You own a property in central London, for God's sake."

"Not much else, mind you."

"If anything, I would have thought myself beneath you." She finally peeled her face off his shirt to see him raising his eyebrows with mock innocence, and she nearly shoved him off the bench. "Gosh, not like that. You're like a walking...sex...maniac. Is that all you ever think about?"

"When I'm around you? Most definitely." She groaned, but for the first time, she allowed herself to laugh too.

"If I didn't know any better, I'd say you had a crush on me."

"Lucky for you, I don't know better, and I can say I do." They sat in comfortable silence, enjoying the first respite in what had been a very chaotic night.

"I still can't believe Irene's been Ghost-locked."

"Irene? Have you been...corresponding with my mother?" Lockwood shifted awkwardly, jerking his head up.

"Do you hear that? Is that Barnes?"

"Lockwood."

"Yes, that's most definitely Barnes."

"Barnes isn't even here! Lockwood. Lockwood!"

------------------------------------------------------------------------------

She was sitting in the waiting room outside Barnes' office. It was morning now, and the room was filled with a pleasant warmth. She had already given her account of the events while Lockwood was being stitched up by the paramedics, and now she was waiting for him to finish his report after her head was bandaged up.

The door opened with a soft click, and Lockwood stepped out wearily, the exhaustion finally catching up to him as well. He smiled weakly. Even after a long night she sat with perfect posture, legs crossed neatly, looking the paradigm of innocence with hair gleaming like honey in the sunrise. It was maddening to Lockwood. He could never get enough of her little intricacies.

"You have no idea how much I've hated your necktie. It distracts me so."

"It's not a necktie, it's just a tie. You'd know that if you weren't so pretentious."

She grinned, reeling him in by his tie, pressing a small kiss to the corner of his mouth. She pulled away, walking out of the waiting room where the rest of her team was waiting.

They had discussed it on the way to DEPRAC's headquarters. The papers would have a field day if they caught wind of their relationship, and they would spin it and twist it in every which way. The less negative press they got, the better.

"I'd lose my job."

"Come work for me."

"Does your insurance cover ghost-lock of family members?"

Lockwood swore.

Now, he reluctantly followed her out, where George and Lucy celebrated him being in one piece. They turned to leave when she spoke up across the lobby.

"Lockwood."

Both agencies froze, watching uncertainly. George hopefully wandered towards the fire extinguisher. "I'd absolutely hate it if I needed your agency's help on our next case."

"I'd hate it even more."

"Good to see we're on the same page. Fingers crossed I never see you again."

She quirked the corner of her mouth, and Lockwood had to purse his lips to keep from smiling. Lucy looked back and forth, as confused as she was at the beginning of the case, turning to George.

"What was that about?" George groaned.

"Never mind that, you have no idea how much money I've lost..."

[victimsofyaoipoll]

Semifinals

Every Supernatural Woman

Supernatural is so mean to women and committed to queerbaiting but it still gives Sam and Dean lovers to kill. The writers kill and villainize them and the fans get the few that remain

wincest and destiel shippers cannot handle the idea of their blorbos having a Woman THREATENING their SHIPS god FORBID

It literally used to be a running joke that if a female character got introduced you knew she was going to die soon because fans would react so negatively to her "stealing" one of the boys away from the big ship, whether it be destiel or wincest

Misa Amane

she gets treated in-canon the way fandoms treat female characters that Threaten an m/m ship. it's like, "oh why don't you go sit in the corner and be pretty, misa, while the Men have intelligent conversation and pretend they aren't ten seconds from fucking each other, doesn't that sound nice?" it's infuriating. and MAYBE it's better now but i remember her getting treated the same way in fanfiction too, like we all need to do just as badly by our female secondary characters as fucking tsugumi ohba, but with the added insult of making her be alternately oblivious of the relationship between light and L or actively trying to sabotage it—incompetently, of course, because god forbid misa be allowed dignity or moments of cleverness.

she's one of the first characters I think of when I consider old school fandom misogyny. The annoying bitch and clingy crazy gf allegations were AFTER HER ASS. She's also a lot more intelligent than people gave her credit for, but most seem inclined to take the Very Biased word of our unreliable, narcissistic narrator and his homoerotic arch nemesis and claim that just because she's bubbly and into romance that she's also a complete moron. Which is blatantly untrue. Everyone was afraid of Misa girlbossing too hard. Killing people and devoting yourself to the deranged twink of your dreams even though you know he'll never love you back??? Having a hardcore goth aesthetic and being so Hot even literal Death Gods are into you?? God forbid women do ANYTHING!

Not only is she the victim of yaoi culture, she is the victim of early 2000s misogyny by an author that wanted to introduce a girl character because he knew his male rivals were getting too homoerotic. She is a goth bimbo icon who portrays what I think is one of the few callouts for stan culture and what parasocial relationships can do to both the stan and the idol. The fact that she is a toxic fan of Kira and also hot, funny, sociable is tragic in its own way, which I think the author did try to touch on but was too misogynistic too really get through. Of course, she was reduced to villain status by the fandom and anime alike because she got in the way of the supposed romance in their psychological horror anime.

[hobnob2020]

The Veilguard review

Big spoilers ahead for the people that haven't finished the game yet.

So after plugging 70+ hours I've finally completed Veilguard.

This will just be a general overview of how I felt about the game, I'll likely do a separate one for Solas/Mythal and Lavellan and one for a Lucanis romance.

First off I want to say that any negative criticism I had for the game I am reminded of how difficult this game was to get off the ground running in the first place; it experienced multiple layoffs, it pulled the team to focus on Anthem when it failed, the team was reduced, OG writers left and multiple people lost their jobs once their work was complete and lets not forget those that worked on this during a pandemic so I think it's important to keep coming back to this so that we can just appreciate what we had as an end product.

Now the end product itself, did I enjoy it? absolutely.

I've laughed, I've been giddy, I've been angry at times and in those final moments was reduced to tears that reconciliations were reached and it was the end of a very long 10 year wait.

I want to start from the beginning where we welcomed our Rooks because holy moly is the character creator detailed. I mean seriously every single Rook I've seen is a catwalk model 😂

Every faction felt different and the brief history to your character was really well done; I went with a female mage elf I the Crows and I loved being a Crow from the get go; the decision that she made that essentially forced her to leave the Crows because she'd basically f*cked up a mission was really interesting because there's still that tension once she returned with Viago (who I adored BTW, his disappointing fatherly persona against Teia's comfort and protectiveness was just perfect) and it set the course for every Rook wanting to prove themselves.

Briefly touching on the Inquisitors creation I was so happy that this was an early decision and hearing her say "it's good to see you again" was like a stab to the heart and felt like I was being welcomed back home after such a long journey.

Once into the gameplay it's hard to ignore how beautiful the graphics look, Minrathous' design was so unexpected and how the locals were treated makes me wonder how Dorian ever survived 😂

There were certain scenes that just blew me away and made me realise just how far games have come to allow us them; the moment you open the doors at Weisshaupt and see Ghilan'nains massive looming face in the clouds was just breath taking, in fact the two gods in general were very well done and there wasn't enough of them in my opinion.

The animation as a whole was very good and again compared to Origins this game is on a different level of good (hate to compare it to other games but Balders gate is probably the closest contender).

There's a particular scene with Lucanis as a romance where he walks over to you after you basically say you like what you see and that Spite doesn't define him, the way his face moves, the little smile, the way his eyes drop to your lips when you touch him floored me and I think having motion capture for this game definitely paid off.

The mechanics of the game were fantastic and as I've yet to play anything other than my mage I am excited to play other classes and possibly Warrior for the first time across 4 games, although Spellblade ruined a mage for me as I love being able to be upfront in a battle and found it perfect for my Crow mage.

I went with purple Rook for this playthrough as I wanted a charming Crow who had far too much energy and was awkward in the best way possible and loved every minute of it; Bioware has always been very clever at establishing the different personalities and how they affect the world around them. Going into a scene and having your Rook react by themselves depending on their personality makes the character feel real and that we aren't just following the same thread of dialogue.

When you first meet Solas they didn't lie that it would feel like an end game mission, the dialogue was fantastic, his voice actor is just incredible and he has a talent to be confident, insecure, determined and doubtful of his own words all in one and it was very easy to fall In love with Solas during inquisition.

I really enjoyed how the first decision you make as Rook ends with the gods escaping, either Harding or Neve being injured which puts doubts in your friendship and leadership from the beginning, that Solas who we'd believed to be the big bad was essentially trapped and looked like a kitten compared to these evil beings who want world domination, it really makes the player question how are we going to fix this massive mistake that we've created, because it takes the gods no time to get to work whilst we scramble to find a team and cleanse multiple parts of Thedas at the same time aswell as setting up base in the fade where we dig deep into the history of Solas and the ancient gods past.

The companions of this game I felt were individuals in their own ways with their own back stories and present problems but I felt as a whole weren't as good as say the previous game; there was no double crossing mages or people with their own greed and agendas, no hidden pasts like Blackwall which personally fell abit flat for me.

In fact I'd say the only one who had an interesting story was Lucanis after his imprisonment and demonic possession and the struggles that came with it.

I don't think I'll romance anyone else other than Emmrich as the others just don't interest me.

It just felt like you were constantly flitting to the Lighthouse and back to grind out companion tasks in order to gain approval and faction points, there was no option to just have a conversation like previous games instead it was very much on their terms and where you were in the game which was something i really missed.

Still, their personalities were very different and characters like Lucanis, Taash and especially Emmrich stole my heart very quickly.

The banter was top notch quality as per 👌 some of my favourites were from Taash and Lucanis, just being a Crow in the middle of their conversations about capes was hilarious at times.

The voice acting as a whole was very good, I felt with some characters particularly Neve it felt abit flat in moments but Bioware have a knack for finding talented voices; having someone as bubbly and excited as Bellara to the deadpan and slightly blunt at times Taash made for a very diverse team.

Returning characters was always a welcome and there were some surprising cameos such as Isabella in the Lords of Fortune faction.

I know alot of people were disappointed that this game felt limited in bringing over past choices but it needed to make sense; Sera isn't going to return and be found in the deep roads etc, it needed to serve a purpose to The Veilguards story and I'm happy with the ones we did get.

When it came to the three decisions from inquisition yes I was disappointed at first; why are we ignoring who drank from the well, why aren't we talking about Hawke, who's ruling Fereldon, who's Divine?.

I think we need to remember that after 4 games the decisions from little to big are so vast that there's simply no way to fit it all in and satisfy everyone and baring in mind this game is for new players too.

Having this game set outside of Ferelden means those decisions won't carry weight in Veilguard, who is divine won't affect us, where Hawke is doesn't affect us because we know they'll either be in the fade or fighting against the evil.

And yes a codex could of helped address any of this but again, it's a smaller team now at bioware and the focus is on Rook this time around, it's their turn and tbh reading codex' is time consuming when you've got gods to fight 😂

The only decision I really wanted brought over was who drank from the Well because as a Solasmancer he was so pissed at me but I think I know why it was glossed over.

I think having Solas being able to control your Inquisitor would have the issue of consent and violation and as a romance that doesn't feel right, especially given how Mythal basically manipulated Solas and used him as a slave it just goes into uncomfortable territory.

We could also argue that Solas absorbed Mythals essence so all that's left is her memories and the tiny fragment you find in the crossroads so essentially Mythal ceases to exist thus there's no pledge anymore for the inquisitor and that she only needed her help to fight Corypheus, who knows but I'm glad Solas wasn't able to do that to the Inquisitor.

The endgame was amazing, finally killing Ghilan'nain was so satisfying and Lucanis was an absolute bad ass doing it, seeing Solas become the dreadwolf and hearing his pained cries was heartbreaking even if he couldn't stop betraying my Rook 😂.

Forcing you as a player to lose a character despite high factions and hero status was brutal, and I unfortunately lost both Davrin and Assan. As much as I loved them both, it made sense to his character to die in that way, and Harding has so much more to do for the dwarves and titans.

I'll talk about Solas/Mythal and Lavellan on another post but I was very happy with how it ended, seeing the art concept of him making himself tranquil just shows how differently it could of gone, and I honestly expected them to die in each other's arms.

If I think of anything else I'll add it onto this post but yeah, 10 years man and it's over, well not over completely as I'm creating an Emmrich romance as we speak but I can't believe years of speculation and doubt is now in our hands forever.

Yes this game could of been better in parts and blew my expectations away in others but I loved it and I think the negative criticism over characters like Taash, the three previous decisions, crazy solasmancers which bring the team down is so unjust and people need to reflect on themselves as humans.

All I would say to those that critic this game as heavy as they have is to take their time and play it again, you'll find things you missed the first time around, really read the codex', just sit back and understand what the characters are saying, read between the lines and just take it back to beginning of this post, this game very nearly didn't happen and alot of talented people that have given you this game have lost their jobs so please just be grateful for what we do have and pray that this isn't the end of dragon age.

Edit:

The whole Varric thing was probably my least favourite thing about the game, not because he died but it just didn't make sense that Rook didn't know until the very end.

I had my suspicions because he was always tired and going back to bed and something about it didn't feel right.

For other companions to say "oh we thought you knew" was just silly, I could understand Solas using his powers to create an illusion but why not on all the companions because surely Rook at some point was like "Oh i'll take some food to Varric" or "have you been to visit him", without that Rook just sounds crazy 😂

[witchofthesouls]

Lately all I can think of is TFP Optimus being demon bait. Amongst every iteration that I seen with the Matrix, he feels more like a placeholder involving the relic than an actual Champion for Primus. Plus TFP is the only one who doesn't retain any knowledge about his past as Orion Pax.

Placeholders are easier to tempt than champions since they aren't fully protected or warned of the danger. The Matrix of Leadership practically rats him out to anything supernatural when you consider it acts more like a vessel unlike other relics. Optimus is gonna have a mixed time should a demon hone in on him.

I get what you're saying. All the strange and, let's face it, very sus Artifacts are painting a very wild picture.

Personally, while I do believe TFP Optimus is a legitimate Prime, he isn't a fully realized one. It gets weirder with the Canon lore in the Aligned verse that the Matrix was housed with Prima's Star Saber and that Optimus is supposed to be the reincarnation of the mysterious Thirteen. Plus, Metroplex from the games vouched his status as a Prime: "Metroplex heeds the call of the last Prime." (Fall of Cybertron game)

I wonder how come the writers didn't go with the Primal Artifacts being semi-sentient? It would really make sense with the mythos and immense powers, especially since those tools can be only wielded by a Prime. So the building blocks were there. Or, have the ghost of Prima within the Matrix that's controlling new ordained champions, and it's intefering with Thirteen's connections? The Matrix has an established history of reformatting new bearers, so is it a big surprise that they're turned into Prima's thoughts of a prefect guardian? Prima has different Aspects and Domains compared to his youngest brother.

The themes of identity and self-determination are there. I think he internally struggled with it. Is he Orion Pax of Alpha Trion? Optimus Prime of Prima? Are they one and the same mask? Does he remember the Wilds in his dreams? Did he have hopes and plans for reconstruction? At night, does he recounts all the steps that brought him to that point?

But yeah, TFP!Optimus would be a succulent prize for a supernatural entity. The Matrix is both a beacon and lighthouse. To see a mortal God-King or a divine champion drowning in uncertainty would turn the very dangerous or very desperate towards him because a contract could be established.

Weirdly enough, out of all the Autobots, I think Optimus would have the easiest time navigating any potential entities. Orion Pax lived and breathed in doublespeak as an archivist directly sponsored by Alpha Trion himself. He knows the intricate dance to steer between treacherous allies and hostile enemies and how to be very leery of certain agreements. Orion was stuck between impossible contradictions of his status.

Ratchet has had certain privileges afforded by his function and frame. He's comfortable taking over things and saying his piece, especially among the current team. He also has a poor opinion of non-Cybertronian anything. He would either be killed for insolence and disrespect or be ensnared in a dream that gives him his deepest wishes. Arcee, depending on your viewpoint, is either lucky or unlucky, especially since she survives all her partnerships. Even Jack Darby, no matter how careful, has a human lifespan, which is seafoam to a Cybertronian. Something would latch onto her anger and grief. Bulkhead can be a very considerate soul. Some being would be charmed by the mech. Bumblebee is kind, and Smokescreen can be impulsive and so very clever. Traits that are endearing to many entities in old tales.

Optimus would have his hands full should something start sniffing around the base.

[ilikekidsshows]

Miraculous WAS a good cartoon, right? There were the seeds and setups for something pretty special there, before it went off the rails (and claimed that those were the real rails all along, metaphor falling apart, whatever). Miraculous: Tales of Ladybug and Cat Noir was compelling enough that we still put our minds to talking about it long after new episodes cease to hold any appeal for us.

Are there other stories you used to like that turned out super disappointing, but some blorbo or plot line still won’t let go? Would you say there’s a factor that determines whether or not you stay motivated to make fanworks for a disappointing story?

---

Miraculous was never a flawless show, but its flaws used to be a lot more understated, like, a whole lot. The thing about Miraculous is that the Miraculouses give us a really good story engine, there’s a good balance between school drama and superhero action, and we have a large cast of colorful characters. There’s something for everyone’s tastes. Miraculous was designed with a wide range of appeal on purpose and it worked. The early seasons also leaned into these strengths.

A big factor in this are the Akumas. We used to get a different Akuma in almost every single episode, with the entire episode plot revolving around the Akuma victim’s troubles and life. This format is very similar to the original Sailor Moon anime, where Usagi would meet an acquaintance or stranger who’d be targeted by the villains to absorb their energy or turn them into a monster. The Akuma victims getting such high billing also meant that having the classmates get targeted was a really easy way to showcase them.

The focus on resolving personal problems and misunderstandings also meant that the show had something to say about relationships. So many of the show’s problems are caused by miscommunication, especially for Marinette herself, that it functioned as a central theme for the series. With the inclusion of the Marigami arc, where Marinette learns to look past her personal wants to see Kagami as more than an obstacle for her happiness, and episodes like ‘Party Crasher’, where Nino and Marinette both realize they went overboard for Adrien, Marinette was clearly learning to be more considerate and aware of others. This was a very relatable, consistent and solid theme that made the show easy to get into.

But, like, these weaknesses in the writing team didn't come out of nowhere, hence why a lot of the problems were there from the beginning, like inconsistency. The difficulty the writers have seems to be in concluding stories and arcs. It often seems that the team knows how stories usually end, but they don't know why they end like that, so they just try to “subvert” the common conclusions because they might think, like many TV writers these days, that being clever is more important than being consistent.

‘Reflekdoll’ is such a good microcosm of how the writers have a hard time with completing stories, since everything alway comes down to ‘Reflekdoll'. Usually the power swap episode starts with the heroes not appreciating each other or their powers enough and ends with them learning to appreciate each other more, but, in ‘Reflekdoll’, the episode starts with Cat Noir saying he has the easy job and Ladybug calling him a jokester, and then the episode ends with Cat Noir “admitting” that he didn’t realize how much work being Ladybug is and Marinette "learning" that Cat Noir really is nothing but a clown that she never has to worry about, meaning they actually learned nothing, because the episode snaps its internal consistency in half in order to finish off with dialogue that reaffirms their female protagonist. In addition, Adrien actually learns that he isn't fit for important roles. Season five has concluded and they both still believe these things, despite us getting a redo with a more “proper” take on a power swap, so it wasn't that ‘Reflekdoll’ was a one-off parody of “what did we learn today?” episodes like The Owl House’s ‘Once Upon a Swap’ where the lesson is meant to be bad. It's just messy writing.

Part of the problem, I feel, is that all that potential and setup and successful episodes like Heroes Day made Miraculous so popular that the writers got too cocky and started including more stuff that they couldn’t actually write consistently or well. They thought the audience would consider anything they wrote good or they thought they had to reach higher levels of “hype” by including shiny new ideas to keep things from getting “repetitive”, like they phrased it in the London Special. All previous character arcs get dropped. Instead it’s all about creating moments that will trend on social media, either in terms of “twists” or romance scenes. So that was where they put their focus, on romance scenes and creating “surprising” twists and “subverting expectations”.

Another aspect of this cockiness is that seasons 4 and 5 are too ambitious for the writing crew’s skill level or writing style. The Miraculous crew, as I said, is good at writing isolated scenes and sometimes whole isolated episodes, when the episode is so simple that they don’t end up accidentally contradicting themselves by forgetting what they wrote for the beginning. This means that seasons 1-3 being mostly episodic with some recurring plot threads played to their strengths, but part of the hype for the retool was changing Miraculous to be more serialized, where the episodes have a proper viewing order, which is why Astruc was asking people not to watch episodes out of order when they kept being dropped whenever.

Yet, once again, most of the actual development in seasons 4-5 happens in the premiere and finale, just like in the more episodic seasons. The thing about a continuous plot is that you need to actually have a continuous plot that moves along every few episodes at least instead of the characters spending fifteen episodes faffing about before anything important happens again, basically just having a different status quo for one season, or having a single other plot-important episode in the middle of the season to fake having continuous plot progression, but that actually is just two status quos (like S5 being split into “Marinette tries to move on from Adrien” and “Adrinette are dating” status quos). In addition, several details get changed as the episodes progress, making what little continuity there is contradictory. The Miraculous crew can’t write a continuous plot because they can’t keep their details consistent.

The London Special gives us a lot of evidence that this is what’s going on. It’s almost as meta as ‘Simpleman’, with Alix making comments about getting a working formula but then needing to change things up to keep things interesting. She is literally describing how to write an episodic, formulaic cartoon, which Miraculous isn’t supposed to be anymore. Miraculous is being hyped up as a continuous story, but it’s being written like an episodic one, where character development takes forever to stick, if it ever does, and plot threads get dropped as soon as a newer, shinier idea comes along.

This is the thing with Astruc constantly defending people being confused over his writing with: “You’re thinking too complicated” or “Keep it simple”: he’s a simple writing guy. Give him a premise and a status quo and he’ll keep it going for several seasons. But he can’t deliver a more complex story or concept in a way that the audience can just instantly pick up on, which makes his favorite defense so silly, because the one making things needlessly complicated and shitting the bed because he can’t handle what he tried to tackle is Astruc himself. “The love interest is actually a human-shaped remote control robot made with a magical artifact and the remote control is his parents’ wedding bands, meaning Adrien was only not going to be controlled by them after they were dead or they decided to give the rings up, but this human and children’s rights violation isn’t supposed to make Gabriel and Emilie the villains but sympathetic characters instead while Adrien’s suffering isn’t supposed to be a concern” is not simple in my opinion, but maybe I’m the weird one for thinking that. Maybe I’m the weird one for thinking that the main villain of 5 seasons and 131 episodes getting to destroy the world is a villain victory, too. I should just “keep it simple” and consider it Marinette’s victory instead because the characters were smiling in the end (sarcasm).

Usually, when a show ends up flopping for me, there's a clear change in the show that just lets me go: “none of that happened, the show ended here”, like TMNT 2003 with Fast Forward and Back to the Sewers seasons. After the jump to the future, the plots became uninspired and the characterization became flatter. The show had already wrapped up its storylines before the retool, so I can just pretend the retool never happened and easily enjoy the original TMNT as the best Turtles cartoon that it is.

I think the problem with Miraculous in comparison to other shows that ended up flopping for me, is that Miraculous' problems make the good parts of the show retroactively unenjoyable to me. Adrien is a remote control robot that will never be truly freed, so his struggle for self-expression and freedom in the previous seasons becomes a Shaggy Dog story that could never have had a happy ending. Similarly, the love square scenes are hard to enjoy because Marinette’s flaws are vindicated instead of learned from. Nothing the pre-retool show sets up is delivered on, and when it is delivered on, it’s the worst possible way things could go because the writers wanted to “subvert expectations” or “keep things simple”. The post-retool show dooms the pre-retool characters, because the starting signs of that doom are already there, in all the character arcs they end up dropping. Miraculous doesn’t bother with concluding anything it sets up, it just moves on to the next shiny idea. You aren’t given anything satisfying to be content with before the show drops the ball.

I think a similar experience for me that didn’t ruin my love of fanworks was My Hero Academia. It was another new take on superheroes, but it also ends up delivering on basically nothing it sets up. Horikoshi is just throwing ideas around and dropping them just as quickly and neither the characters nor the world end up changing that much, despite the narrative screaming at us that change is needed. But those dropped ideas are really interesting, there’s a bunch of pretty neat story arcs at the start of the series, I am absolutely obsessed with Toshinori, and none of my other favorite characters are treated too poorly by the narrative in any egregious way other than a lack of screen time (singular scenes for the girls are crimes, though) so, like, I can still very much enjoy fanfics and comics and art that gives the spotlight to those ignored characters and fixes my other grievances.

Basically, it’s a question of whether or not the things that made you stop loving the show made it harder to still love the things you used to love about the show. If you can just say: “the story stops before that happens/the character starts acting like that”, then it’s easier to enjoy the fandom. Also, like, if the bad thing that happens is directed at your top favorite character or relationship, the one thing you tune in to see, then it’s going to make you too mad to just ignore or forget about.

Adrien was the number one thing about Miraculous that I loved above all else. So when most of these awful creative decisions made it harder to enjoy him, I had to ask myself: “What am I willing to put up with?” and the answer was: “Not this sentinonsense!”

[gingergofastboatsmojito]

Storer

I've been diving deep into Storer's body of work pre-The Bear during the last few weeks. It's been exhilarating. He's sooo good that I'm still clueless in some aspects, TBH, which I love and drives me crazy in equal measure, of course. His scriptwriting style is more on the journalism side, that's why there's not much suspense but rather rawness in his lines, no regular plot twists, but twists in the layout of the plot, not in the plot itself.

He lets you in on what's gonna happen if you pay attention to the facts and details he presents, but he will definitely pull a twist as to how to go about it and make you reconsider the whole point he made earlier. He loves symbology and metaphors yet also uses those resources to divert, not just to tell the story, but to take the viewer off course and distract them, telling them a story that is not the real story he's telling, sneaky and clever, always. He's in the details and in the big picture at the same time, he writes boldly about the characters and lets you figure out the story by yourself, doesn't hold your hand, just shows it to you for you to make what you want or can out of it. I'm all for it.

As a director, he’s more conventional, which aligns with what he said about the movies he likes. It’s all there, clearly, he’s into “classic” movie-making. It’s easier to figure him out as a director than to figure out his narrative as a writer because he’s a shapeshifter yet a logical thinker. And I think that also has a lot to do with Joanna Calo, they are a great team when it comes to writing. She brings out his more subtle side. The journalism bouquet disappears and the deeper layers, psychology textbooks, etc show up. Fishes is a great example of that, the storyline is still raw (Storer) but it’s also in the layers, the softer ones (Calo) and then there’s the common ground they probably wrote together, which is what we perceive on screen as intensity to the point of being in a constant rollercoaster:

That’s not all Storer, that’s Stalo. And then there’s the cinematic style, which is more along the lines of the American indie style that was popular (and award-winning) in the 90s. I'm no expert on that, or on any of this... quite frankly... But I find it amazing, really, because that style is gone in the movies and Storer brought it back to TV and in this day and age, it’s a total game changer. I think we’ll start seeing more shows with The Bear’s aesthetic moving forward.

Anyway, so back to this passion project I have been working on for weeks now: I haven’t figured out what he’s gonna do with a 💯 level of certainty yet, which drives me crazy but I love it, of course. However, what I did figure out by now is all the potential plot twists he won’t be going for. All I can safely rule out because he would never do (I will be going over my notes on that in future posts). As a result, I'm now more confident than ever before about Sydcarmy being endgame. Not only it is a potential closure of the entire arc, with very solid chances of materializing, which we have all been thinking about all along, in my case since Braciole. It’s actually a total and utter certainty by now. My thesis on his work is very much still a WIP, can't wait for S3 to add it to the material I'm studying, but I will go about it more relaxed from now on because I already figured out what he will never do with Carmy.

There’s no version of The Bear in which he will put that character he created and that represents himself loves so much, through what he will put him through this upcoming season, without giving him whom he wants at the end.

Bonus track: let's pay close attention to spoons from now on.

[jules-ln]

Sorry Anon, the post was too long so I decided to make it its own post instead of an answer

Let me write my Bible because I have thought about this more than I should and I'm mentally ill

First the silence of the girls

I'm going be honest and say that while I don't like this book, I can recognize that is very well written and author makes it very interesting

But!

The girls were silenced indeed 😅

Like, if you're going to market your book as a "feminist" retelling of the Iliad I'll expect your level of feminism to be more advanced than what Homer was writing

Don't get me wrong, I know that women and children are often overlooked at wars specially in a historical context, but what Pat Barker was presenting as feminism was simply "Women suffer more than men in wars 😥" and that is the same thing that Homer was saying hundreds of years ago, more than that, I'd say that Homer did it better

And you know, it's supposed to be a feminist retelling, so I was expecting sorority to be a thing, specially because the only other source of comfort, respect and friendship a woman like Briseis could have had then would've been other enslaved women

But no, we don't really see sorority in the greek camps for more than a couple of paragraphs at best, and I got the feeling that some women characters were just genderbents of the male heroes, like Odysseus's enslaved woman is clever, Nestor's enslaved woman is maternal, florals for spring? groundbreaking

More than that, in the Iliad there is a character named Iphis that is Patroclus's enslaved woman and Briseis mentioned being close friends with her. So you expect that being a close friend of the protagonist she should have a lot of dialogue, specially in conversations with Briseis, don't you think?

Bish, I don't even remember her talking at all to begin with, much less to Briseis! 🤣

The only meaningful relationship Briseis has in the book are Achilles and Patroclus, her life orbits around these men and the other women don't matter

And that leads me to my other point

Briseis doesn't do ANYTHING.

Now, I know, I know, I know. Briseis doesn't do anything in the Iliad either, but that's some of the problems I have with Iliad adaptations.

Like, none of them will EVER be as good as the Iliad, to any writer that think that they can make an adaptation of the Iliad be as good as the Iliad. Sit down, you aren't that guy

So really, they should just do what MM did. Do your own thing that can stand on its own without hanging on the Iliad. Even if it's different, that's a good thing

Now, I say all of that because, it would've been Good if Briseis did something, ANYTHING at all other than stand there and look pretty

You might say "it's accurate to the Iliad" I say "A protagonist that doesn't do anything at all and doesn't influence the world around them in any way is boring"

There was even this part where Briseis wonders about how much control Patroclus has over Achilles, And I was here like "Yesssss, Briseis is going to emotionally manipulate Patroclus to control Achilles so she can be the one who is actually in control of both"

Nope, that, didn't happen, like, at all

Even at some point the narrative kicks Briseis out of the story to focus on Achilles and Patroclus, and like, feminism where? 😅

Once again that leads to my next point. Patroclus and Achilles part was more interesting.

Unironically, the best part of the book was the relationship that both had, it was the type of relationship that was like "I love you, but ngl I kinda hate you and want to kill you too unironically" And I think that's interesting! That's new, I've never read anything like that regarding those two before!

But that's a problem, because when I bought the book I wanted to read about women, I wanted to read about Briseis, not about Achilles and Patroclus, and that the author made them SOOOO much more interesting than Briseis, is just sad

Then there's the problem of the rapes scene, which, in this day and age if you're going to add a rape scene in anything, you better have some freaking good reason. And in this book, they're there for mere shock value, it doesn't give anything to the story, it doesn't change the tone of the book, a good editor would've take them out, but I guess it was part of the "feminist" message 🙄

But really, I don't hate the book, like I said, it's well written in my opinion, but it is a disappointing book because it could've been a great book with some tweaks here and there

Now about The song of Troy

ACHILLES YOU SON OF A BITCH FUCKING LIPLESS MUPPET I HATE YOU Y SI CIEN AÑOS VIVO CIEN AÑOS CHINGAS A TU MADREEEEE

Now that we got that out of the way

See, the thing is that I've read the song of Troy some time ago, and I mostly rage read it so I don't remember it very well

Like I hated it SO MUCH it it it Flames flames FLAMES on the side of my head (yes, it's a reference) so I'm just going to say the things I remember that made me mad

🔸️Helen is the prime example that writing women that don't suck ass ISN'T an innate skill in women, like she was one of the most misogynistic characters that I've ever read and if I was Menelaus in this book, I would be happy that she was gone, bon voyage biatch!

🔸️Both the book and Achilles treat Patroclus like Trash

🔸️The story treats Achilles like an uwu boy that can do no wrong when in reality in the book he's an idiotic asshole estúpido kbron hijo de la chingada pinche mamon bastardo agarras tu espadita la haces rollito y te la metes por el culo pendejo de mierda. Yeah, I don't like Achilles in this book

🔸️Odysseus is written to allegedly be very smart, sadly in actuality he's very dumb, because you see, the whole thing about the fight between Agamemnon and Achilles was an elaborate plot by him to get the Trojans to come out if I remember correctly, now, I think any good good tactician will tell you that an overly elaborate plan that will result in like half of your men dying with no guarantee of it being successful anyway, isn't so smart

🔸️Briseis was written so badly... I'm just going to put it this way, at some point in the book Achilles hits her, and that was the best fucking thing Achilles did in that book, like yess fucking muppet slap that bitch again. Oh but don't worry, Briseis in the book was ok with being slapped and not in a kinky way

🔸️Helen hits Andromache, and so did Hector. I'm going to leave it at that

🔸️I don't remember too well because at this point the fog of rage was too thick, but I think Achilles and Hector kinda fell in love when they were fighting? Which was very weird

So make yourself a favor and don't read it

If you want a good adaptation read these

🔹️War music by christopher logue, it isn't finished because sadly the author died, but best adaptation I've read so far

Here's a quote I like:

"When Nyro’s mother heard of this

She shaved her head; she tore her frock; she went outside

Ripping her fingernails through her cheeks:

Then down her neck; her chest; her breasts;

And bleeding to her waist ran round the shops,

Sobbing:

‘God, kill Troy.

Console me with its death.

Revenge is all I have.

My boy was kind. He had his life to live.

I will not have the chance to dance in Hector’s blood,

But let me hear some have before I die.’

‘I saw her running round.

I took the photograph.

It summed the situation up.

He was her son.

They put it out in colour. Right?

My picture went around the world.’"

🔹️La cólera by Javier Olivares and Santiago García, is a comic in Spanish, but if you can get your hands on one copy, do it, it's so good and the art is beautiful, one of the best portrayals of Achilles I've seen, Pyrrha also appears

🔹️An Iliad, by Denis O'Hare and Lisa Peterson, is a play, and tbh I don't like this one as much as I do the other two, but it is SOOO GOOD too.

🔹️En mitad de tanto fuego by Alberto Conejero, this one is a play; short and sweet and the narrator is Patroclus, very new too, and as far as I know it's only in Spanish, but if you can get it, do so, because it's very good.

Let me translate a part of it to the best of my abilities to tempt you a bit

"How short was life, how short... Now bury me as soon as possible so I can cross the gate of Hades. Bury me, Achilles. And if someone in the future finds my tomb and opens it, let them see how smoke comes out of my shroud still. Because of the desire, Achilles, because of the desire"